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Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life's work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she's still considered an insider's tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo's special design methods are based on her analyses of the urban co...
The Leaf Plan. Towards the Ecological Transition presents innovative methodologies and practices to guide and support a sustainable urban development to cope with climate, social, economic changes. The book will illustrate comprehensive design approaches to address climate change, urban metabolism, temporary uses, landscape multifunctionality, cohabitation through new modes of urban design based on criteria of flexibility and adaptability. Trento is the experimental territory where the innovative process, methodologies and theoretical reflection have been tested above the framework of the three-year research project “TUT Trento Urban Transformation”. The book is structured around the fiv...
Charting the latest advances in thinking and practice in 21st-century landscape, this edition of AD looks at the degree to which landscape architects and architects have rethought and redefined the parameters for the interaction of buildings, infrastructures and surrounding landscape. Landscape Architecture: Site-Non-Site defines the key moves affected in the revision of landscape, using a compilation of some of the most current work in the field. Featured designers include: James Corner of Field Operations, Kathryn Findlay, Adriaan Geuze of West 8, Gross Max, Bernard Lassus, Gustafson Porter, Maggie Ruddick, Ken Smith and Michael van Valkenburgh. There are contributions from Lucy Bullivant, Peter Cook, Jayne Merkel, Juhani Pallasmaa and Grahame Shane.
First comprehensive architectural monograph by DEMOGO with images by Iwan Baan In their first comprehensive architectural monograph, the architects of DEMOGO explore the driving question of the importance of context for their architecture and invite designers and theorists to reflect with them on the relationship between contemporary spaces and complex contexts. Built and planned projects are presented in chronological order with specially produced drawings and models. The most remarkable buildings and contexts are captured through the eyes of renowned photographer Iwan Baan. The guest authors Petra Blaisse, Pippo Ciorra, Giovanni Corbellini, Sara Marini and Alberto Bertagna also shed light on central questions of DEMOGO's work and supplement the monograph with a variety of perspectives and personal reflections. First monograph by DEMOGO studio di architettura Contributions by Petra Blaisse, Pippo Ciorra, Giovanni Corbellini, Sara Marini, Alberto Bertagna Bibliophile edition
This book seeks to provide an alternative post-Western perspective to the history of contemporary architecture. It puts forward detailed critical analyses of various areas of the world, including Europe, Latin America, Africa, China, Australia, India and Japan, where particular movements of architecture have developed as active ‘political acts’. The authors focus on a broad spectrum of countries, architectures and architects that have developed a design approach closely linked to the building context. The concept of context is broad and includes various economic, social, cultural, political and natural aspects. In all cases, the architects selected in this book have chosen to view contex...
The Swiss artist Miriam Cahn (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications. WRITING IN RAGE is the first compilation of her writing by itself, and incl...
Museum Configurations demonstrates how museum space functions cognitively and communicatively and questions whether it can be designed to provide a rich embodied experience, situating displays and their public in felicitous dialogue. Including contributions from authors working in the disciplines of architecture, psychology, museum studies, history and the visual arts, this volume addresses an interdisciplinary audience. The analysis of a wealth of examples shows how the voices of architects, curators and exhibition designers enter into dialogue and invite visitors to make their own connections between physical, cognitive and affective space. Considering how the layout of museums facilitates...
Il volume documenta gli autori e le opere delle collezioni di architettura che sono frutto di concorsi, committenze e dei diversi progetti culturali prodotti dal MAXXI Architettura dal 2001 al 2017. L’edizione aggiornata e integrata, in formato digitale, rende conto anche delle oltre venti acquisizioni che hanno arricchito tra il 2015 e il 2017 il patrimonio museale. Il Catalogo è al tempo stesso un agile strumento di riferimento per studiosi e ricercatori, ma anche una sintesi densa e significativa della produzione architettonica contemporanea che il museo mette a disposizione del pubblico per rafforzare l'intrinseco rapporto tra collezioni, ricerca e mostre che è l'aspetto fondamentale della sua identità. I materiali relativi agli 85 autori in collezione raccolti in questi anni sono lo specchio fedele di un’attività su più fronti – dalla conservazione all'esposizione, dalla ricerca alla comunicazione, dalla produzione alla documentazione – condotta con un unico fine: realizzare il primo museo italiano di architettura.
MCM - Milano Capital of the Modern, edited by Lorenzo Degli Esposti, is made up of texts and images from over 300 contributors from Europe and the US, across three generations, involved in the activities of the Padiglione Architettura in EXPO Belle Arti of Vittorio Sgarbi, a programme by the Regione Lombardia hosted in the Grattacielo Pirelli during the EXPO 2015. They investigate the relationships between modern architecture, the city of Milan (Razionalismo, reconstruction, Tendenza, Radical Design, up to current research) and the city in general, between single and specific works and the large scale of the urban territory, in the contradictions between architecture autonomy and its dependence on specific place and historical time. The idea of MCM is that each capital of the Modern brings an original version of modernity in architecture: in the specific Milanese case, this kind of Modern is characterized by the simultaneous presence of abstract, systematic and syntactic features and an ontological conception of both buildings and architectural and urban voids.