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"A joint publication with the USP Centre in Majuro, this book recounts peopleOs experiences and reflections on life in their country. Among the accounts are chapters dealing with specific legends and traditions, memories of growing up in the Marshals, and more contemporary issues such as off-island adoption and the ongoing struggle of Rongelap survivors."--Publisher's description.
This book is an attempt to ensure that traditional knowledge is not lost and that ecosystems are protected for future generations. It describes more than 270 traditional medicinal treatments, all of which use the plants of the Marshall Islands, and provides a biogeographical, historical and anthropological context, with a particular focus on the use of traditional medicine for the treatment of women.
“We joked often—laughed to the point of crying (that deep visceral laughter)—not just about the subversive antics of Letao, but to all the allusions to how he, my friend, and I, were tricksters in our own right, moving between our cultural worlds, illuminating ambiguities and celebrating them.” This rich, experimental ethnography plays within the margins of mythology and ethnographic practice to pursue a decolonizing method of inquiry and intercultural engagement. Through a range of mischievous narratives about the mythological trickster Letao, a riM̧ajeļ (Indigenous Marshall Islander) storyteller takes the author on a journey into a deep cosmological and epistemological past and b...
Coaches clinicians and others on the front lines of care on understanding how to incorporate different traditions of thinking into the most difficult of moments around the end of life. (Terminal Care)
On March 1, 1954, the US military detonated “Castle Bravo,” its most powerful nuclear bomb, at Bikini Atoll in the Marshall Islands. Two days later, the US military evacuated the Marshallese to a nearby atoll where they became part of a classified study, without their consent, on the effects of radiation on humans. In Radiation Sounds Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to US nuclear militarism on their homeland. Schwartz shows how Marshallese singing draws on religious, cultural, and political practices to make heard the deleterious effects of US nuclear violence. Schwartz also points to the literal silencing of Marshallese voices and throats compromised by radiation as well as the United States’ silencing of information about the human radiation study. By foregrounding the centrality of the aural and sensorial in understanding nuclear testing’s long-term effects, Schwartz offers new modes of understanding the relationships between the voice, sound, militarism, indigeneity, and geopolitics.