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Thirty years after Bulgaria’s democratic breakthrough, this book provides a “balance sheet” of the country’s democratic institutions through a number of interdisciplinary contributions. The volume is organized around three themes—democratic institutions, civil society, and European Union (EU) processes—and examines such topics such as voting, political parties, populism, media, civil society organizations, identity, and the rule of law. While the contributors argue that Bulgaria’s democracy is successful in terms of the procedural norms of democracy, civic participation, and compliance with EU rules, they also identify serious problem areas. Bulgaria’s democratic institutions struggle with obstacles such as populist Euroscepticism, political elitism, corruption, and a lack of political accountability, though this volume fully acknowledges the historical development of Bulgarian democracy, including its achievements and continuing setbacks.
Large regional disparities in labor market indicators exist in Central Europe and the Baltic region. Such disparities appear to be persistent over time indicating, in part, a lack of flexibility in the prevailing adjustment mechanisms. Internal labor mobility is often seen as an important instrument to reduce adjustment costs when other mechanisms fail. Drawing from a variety of data sources and utilizing a common empirical framework and estimation strategy, this study identifies patterns and statistical profiles of geographical mobility. It finds internal migration to be generalily low and highly concentrated among better-educated, young, and single workers. This suggests that migration is more likely to reinforce existing inequalities than to act as an equalizing phenomenon. By way of contrast, commuting flows have grown over time and are more responsive to regional economic differentials. The findings suggest the need for appropriate and country-tailored policy measures designed to increase the responsiveness of labor flows to market conditions.
From perestroika to Putin: a recent history of Russia's turbulent transformation from communist to post-communist nation.
Akturk discusses how the definition of being German, Soviet, Russian and Turkish radically changed at the turn of the twenty-first century. Germany's ethnic citizenship law, the Soviet Union's inscription of ethnic origins in personal identification documents and Turkey's prohibition on the public use of minority languages, all implemented during the early twentieth century, underpinned the definition of nationhood in these countries. Despite many challenges from political and societal actors, these policies did not change for many decades, until around the turn of the twenty-first century, when Russia removed ethnicity from the internal passport, Germany changed its citizenship law and Turkish public television began broadcasting in minority languages. Using a new typology of 'regimes of ethnicity' and a close study of primary documents and numerous interviews, Sener Akturk argues that the coincidence of three key factors – counterelites, new discourses and hegemonic majorities – explains successful change in state policies toward ethnicity.
This highly original case study, which adopts a material culture perspective, is unprecedented in social and cultural histories of the Soviet period and provides a unique window on social relations. The author demonstrates how Moisei Ginzburg's Constructivist masterpiece, the Narkomfin Communal House, employed classic Marxist understandings of material culture in an effort to overturn capitalist and patriarchal social structures. Through the edifying effects of architectural forms, Ginzburg attempted to induce socialist and feminist-inspired social and gender relations. The author shows how, for the inhabitants, these principles manifested themselves, from taste to hygiene to gender roles, and how individuals variously appropriated architectural space and material culture to cope with the conditions of daily life, from the utopianism of the First Five Year Plan and Stalin's purges to the collapse of the Soviet Union. This book makes a major contribution to: the history of socialism in the Soviet Union and, more generally, Eastern Europe; material culture studies; architectural history; archaeology and social anthropology.
"The book has four main themes. The first is the purely historical and political theme of Bosnia as the background of intrigue between Napoleonic France and Imperial Austria, each represented by its Consul and each trying to win over to its side the Turk, who at heart is equally hostile to both. The second theme is that of the gradually disintegrating effect of the East on western Europeans who have to live there: this is worked out in a masterly fashion in various figures in the book, some of whom have already succumbed to its insidious influence, while even those who resist are marked by it. The third theme is a study of the effect upon an honest, unimaginative man of serving a dictatorship in which at first he sincerely believes but whose aims and methods he comes with growing horror to doubt. Last and central to all is the theme of Bosnia itself, the spirit of the land and its people and the problem of their rescue from the pit of ignorance, backwardness, and poverty into which history has plunged them." (Kenneth Johnstone, translator's note, page 11)
“A little masterpiece of originality and clarity.”—George Steiner “A necessary book.”—Roberto Saviano “A wonderful little book that will delight you.”—François Busnel International Best Seller / Now in English for the First Time In this thought-provoking and extremely timely work, Nuccio Ordine convincingly argues for the utility of useless knowledge and against the contemporary fixation on utilitarianism—for the fundamental importance of the liberal arts and against the damage caused by their neglect. Inspired by the reflections of great philosophers and writers (e.g., Plato, Dante, Montaigne, Shakespeare, Borges, and Calvino), Ordine reveals how the obsession for mater...
“Dralyuk’s new translation of Sentimental Tales, a collection of Zoshchenko’s stories from the 1920s, is a delight that brings the author’s wit to life.”—The Economist Mikhail Zoshchenko’s Sentimental Tales are satirical portraits of small-town characters on the fringes of Soviet society in the first decade of Bolshevik rule. The tales are narrated by one Kolenkorov, a writer not very good at his job, who takes credit for editing the tales in a series of comic prefaces. Yet beneath Kolenkorov’s intrusive narration and sublime blathering, the stories are genuinely moving. They tell tales of unrequited love and amorous misadventures among down-on-their-luck musicians, provincia...