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This ground-breaking anthology examines the mixed race experience and the impact of law on mixed race citizens in America.
As online therapy becomes more mainstream, the importance of using a means of supervision which parallels this is increasingly being recognised by practitioners and the professional bodies. Very little has been written about this newly developing way of working, so this book is timely. Online Supervision: A Handbook for Practitioners covers a wide range of issues, from the practical aspects of how supervision happens, through research, legal and ethical issues to specific therapeutic settings and issues. Existing models of supervision are considered in the context of the online setting and new models which have been developed specifically for supervising online are explored. All chapters are...
Crossing disciplinary lines, Moran looks in depth at interracial intimacy in America from colonial times to the present. She traces the evolution of bans on intermarriage and explains why blacks and Asians faced harsh penalties while Native Americans and Latinos did not. She provides fresh insight into how these laws served complex purposes, why they remained on the books for so long, and what led to their eventual demise. As Moran demonstrates, the United States Supreme Court could not declare statutes barring intermarriage unconstitutional until the civil rights movement, coupled with the sexual revolution, had transformed prevailing views about race, sex, and marriage.
The first literary phase in the brilliant and protean career of Conor Cruise O'Brien was his work as critic for Dublin literary magazine The Bell, which begat this collection of essays first published in 1952 (under the pseudonym 'Donat O'Donnell', as O'Brien was then a working civil servant.) In it, O'Brien set himself to a study of 'the patterns of several exceptionally vivid imaginations which are permeated by Catholicism' - from Graham Greene and Evelyn Waugh to Francois Mauriac and Paul Claudel - and to analyse 'what those patterns might share'. The originality and flair of Maria Cross won O'Brien many vocal admirers, among them Dag Hammarskjold, cerebral Secretary-General of the United Nations. 'A most interesting and at times brilliant book, admirably and wittily written.' New Statesman 'One of the most acute and stimulating books of literary criticism to be published for some years.' Spectator
One of the most versatile actors of his generation, Edmond O'Brien made a series of iconic noir films. From a man reporting his own murder in D.O.A. (1949) to the conflicted title character in The Bigamist (1953), he portrayed the confusion of the postwar Everyman. His memorable roles spanned genres from Shakespeare to westerns and comedies--he also turned his hand to directing. He won the Academy Award for Best Supporting Actor as the harassed press agent Oscar Muldoon in Joseph Mankiewicz's bitter Cinderella fable The Barefoot Contessa (1954). This first in-depth study of O'Brien charts his life and career from Broadway to Hollywood and to the rise of television, revealing a devoted family man dedicated to his craft.