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The Making of a Counter-culture Icon
  • Language: en
  • Pages: 281

The Making of a Counter-culture Icon

At first glance, the works of Fedor Dostoevsky (1821-1881) do not appear to have much in common with those of the controversial American writer Henry Miller (1891-1980). However, the influencer of Dostoevsky on Miller was, in fact, enormous and shaped the latter's view of the world, of literature, and of his own writing. The Making of a Counter-Culture Icon examines the obsession that Miller and his contemporaries, the so-called Villa Seurat circle, had with Dostoevsky, and the impact that this obsession had on their own work. Renowned for his psychological treatment of characters, Dostoevsky became a model for Miller, Lawrence Durrell, and Anais Nin, interested as they were in developing a ...

Dress Rehearsal
  • Language: en
  • Pages: 262

Dress Rehearsal

In "Dress Rehearsal, " noted dissident author and playwright Alexander Galich intersperses the text of his play "Sailor's Rest, " banned by the Soviet government, with his reflections on growing up Jewish in the Soviet Union and the rise of official anti-Semitism in the USSR after the Second World War.

Connections and Influence in the Russian and American Short Story
  • Language: en
  • Pages: 319

Connections and Influence in the Russian and American Short Story

In Connections and Influence in the Russian and American Short Story, editors Robert C. Hauhart and Jeff Birkenstein have assembled a collection of eighteen original essays written by literary critics from around the globe. Collectively, these critics argue that the reciprocal influence between Russian and American writers is integral to the development of the short story in each country as well as vital to the global status the contemporary short story has attained. This collection provides original analyses of both well-known Russian and American stories as well as some that might be more unfamiliar. Each essay is purposely crafted to display an appreciation of the techniques, subject matt...

The Faulkner Journal
  • Language: en
  • Pages: 642

The Faulkner Journal

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

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From the Elephant's Back
  • Language: en
  • Pages: 441

From the Elephant's Back

Thirty-eight rare, out-of-print or previously unpublished essays and letters by Lawrence Durrell with scholarly introduction.

William Faulkner
  • Language: en
  • Pages: 603

William Faulkner

Considered one of the great American authors of the 20th century, William Faulkner (1897-1962) produced such enduring novels as The Sound and the Fury, Light in August, and As I Lay Dying, as well as many short stories. His works continue to be a source of interest to scholars and students of literature, and the immense amount of criticism about the Nobel-prize winner continues to grow. Following his book Faulkner in the Eighties (Scarecrow, 1991) and two previous volumes published in 1972 and 1983, John E. Bassett provides a comprehensive, annotated listing of commentary in English on William Faulkner since the late 1980s. This volume dedicates its sections to book-length studies of Faulkne...

The Aliens Within
  • Language: en
  • Pages: 349

The Aliens Within

Discrimination, stigmatization, xenophobia, heightened securitization – fear and blaming of "aliens within" – characterize the world infected by COVID-19. Such fears have a long cultural history, however, particularly in connecting pathology with race, poverty, and migration. This volume explores theory and narratives of disease, danger, and displacement through the lenses of cultural, literary, and film studies, historical representation, ethnics studies, sociology and cultural geography, classics, music, and linguistics. Investigations range from, for example, illness discourse in the ancient classics to images of perilous intruders in the Age of Trump, from the Haitian Revolution and ...

Crime and Punishment
  • Language: en
  • Pages: 392

Crime and Punishment

  • Type: Book
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  • Published: 2021-01-04
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  • Publisher: Self-Publish

We would like to point out that most of the texts included in this work come freely from the Internet and can be found on Wikipedia. Then the question arises: why buy it? The answer is simple. It is a painstaking work of assembly, with a specific search for images (these, for example, you can't find them on Wikipedia) that completes the work in order to make it unique and not repeatable in its structure. In short, a work that, while coming from the work of others, is transformed into a unicum, assuming its own logical form which is to describe ... In addition, the work has been enriched with numerous images that you cannot find on wikipedia. Book content: Crime and Punishment: Background, Pl...

Henry Miller and How He Got That Way
  • Language: en
  • Pages: 208

Henry Miller and How He Got That Way

Identifying six significant writers--Whitman, Dostoevsky, Rimbaud, Lewis Carroll, Proust and D. H. Lawrence--Katy Masuga examines their influence on Miller's work as well as Miller's retroactive impact on their writing. She explores four forms of intertextuality in relation to each 'ancestral' author: direct allusions, unconscious style, reverse influence and participation of the ancestral author as part of the story within the text. The study is informed by the theories of polyvocity from Bakhtin, Barthes and Kristeva and of language games and the indefatigability of writing in the work of Blanchot, Wittgenstein and Deleuze.By presenting Miller in intertextual context, he emerges as a noteworthy modernist writer whose contributions to literature include the struggle to find a distinctive voice alongside a distinguished lineage of literary figures.

Killing the Buddha
  • Language: en
  • Pages: 117

Killing the Buddha

Incorporating the novels, pamphlets and letters of Henry Miller, Killing the Buddha argues for Miller’s written work to be considered as a whole in relation to the theme of Zen Buddhism, specifically the concept of Satori (awakening). By reading Miller’s literary output and letters as a spiritual journey to awakening, it is possible to chart his development as a writer, and offer insight into his repetitive use of biographical material. Reflecting upon the influence of Otto Rank and Henri Bergson on Miller’s conceptualization of the role of the writer, and then by examining his complex rejection of Surrealism, it is possible to show Miller’s burgeoning Zen Buddhism as a life-long quest for acceptance and authenticity explicitly explored within his work. With close readings of the ‘Obelisk Trilogy’ of the 1930s (Tropic of Cancer, Tropic of Capricorn and Black Spring) and The Rosy Crucifixion Trilogy (1949-1960), Miller’s complex journey to Satori is shown as a continuous progression from his early notorious novels through to the essays and pamphlets of his later career.