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Cosmos and Republic
In 20 essays inspired by Hannah Arendt's analysis of crisis-ridden modernity, Wolfgang R. Heuer addresses aspects of depoliticization and the loss of politics, and thus of freedom. The wide-ranging essays are grouped in five sections: When Politics Vanishes, The Call of Responsibility, Images and Emotions, Federations, and From Plurality to Cosmos. They lead to the insight that the crises of our time require a common change of perspective towards ecological and political sustainability, the unity of »Cosmos and Republic«.
Hannah Arendt: Challenges of Plurality
This volume explores challenges posed by plurality, as understood by Hannah Arendt, but also the opportunities it offers. It is an interdisciplinary collection of chapters, including contributions from different traditions of philosophy, political science, and history. The book offers novel perspectives on central issues in research on Arendt, reconfiguring the existing interpretations and reinforcing the line of interpretation illuminating the phenomenological facets of Arendt’s theory. The authors of the contributions to this volume decisively put the notion of plurality in the center of the collected interpretations, pointing out that plurality in its dialectic form of commonality, and ...
Women Phenomenologists on Social Ontology
This edited volume examines women's voices in phenomenology, many of which had a formative impact on the movement but have be kept relatively silent for many years. It features papers that truly extend the canonical scope of phenomenological research. Readers will discover the rich philosophical output of such scholars as Edith Stein, Hedwig Conrad-Martius, and Gerda Walther. They will also come to see how the phenomenological movement allowed its female proponents to achieve a position in the academic world few women could enjoy at the time. The book explores the intersection of social ontology, phenomenology, and women scholars in phenomenology. The papers offer a fresh look at such topics...
Polish Film
When the Lumiere brothers introduced the motion picture in 1895, Poland was a divided and suffering nation--yet Polish artists found their way into the new world of cinema. Boleslaw Matuszewski created his first documentary films in 1896, and Poland's first movie house was established in 1908. Despite war and repression, Polish cinema continued to grow and to reach for artistic heights. The twentieth century closed with new challenges, but a new generation of Polish filmmakers stood ready to meet them. Here is a complete history of the Polish cinema through the end of the twentieth century, with special attention to political and economic contexts.
Everyone is an artist.
In 13 Kapiteln bieten die Ausstellung und der dazugehörige Katalog einen tiefgreifenden Einblick in das kosmopolitische Denken von Joseph Beuys, wie es sich in seinen Aktionen manifestiert, die in Form von Videoprojektionen und Fotografien präsentiert werden. Denn dort – als handelnde, sprechende und sich bewegende Figur – untersuchte Beuys die zentrale und radikale Idee seines erweiterten Kunstbegriffs: »Jeder Mensch ist ein Künstler«. Das Ziel seines universalistischen Ansatzes war es, die Gesellschaft von Grund auf zu erneuern. Bis heute ist sein Einfluss in künstlerischen und politischen Diskursen spürbar. In der Ausstellung treten zeitgenössische Künstler*innen neben Ve...
Krzysztof Kieslowski
Krzysztof Kieslowski’s untimely death came at the height of his career, after his Three Colors trilogy of films garnered international acclaim (and an Oscar nomination), and he had been proclaimed Europe’s most important filmmaker by many critics. Born in 1941, he was only fifty-four years old when he died. Kieslowski himself tried to tell the story of his life and career in the 1993 book Kieslowski on Kieslowski. This collection, by contrast, reveals the shifting voice of a filmmaker who was initially optimistic about his social and cultural role, then felt himself buffeted by the turbulent politics and events of the People’s Republic of Poland. As described in the chronology in this ...
Nancy Fraser and Politics
Nancy Fraser and Politics is a systematic reconstruction of the work of Nancy Fraser, a key contemporary figure of critical theory and socialist feminism. It argues that Fraser's critical theory is a powerful and sophisticated analytical prism for diagnosing the breadth of empirical variety and depth of structural causality of injustice and domination in the ‘actually existing’ capitalist democracies of today, and for informing and inspiring numerous political movements struggling for societal emancipation. Ivković and Zarić demonstrate that a key aspect of Fraser’s critical theory - her structural approach to domination which traces the manifold empirical injustices to a common root cause - is a thread that runs through her entire opus.
Phenomenology of Plurality
Winner of the 2018 Edwin Ballard Prize awarded by the Center for Advanced Research in Phenomenology This book develops a unique phenomenology of plurality by introducing Hannah Arendt’s work into current debates taking place in the phenomenological tradition. Loidolt offers a systematic treatment of plurality that unites the fields of phenomenology, political theory, social ontology, and Arendt studies to offer new perspectives on key concepts such as intersubjectivity, selfhood, personhood, sociality, community, and conceptions of the "we." Phenomenology of Plurality is an in-depth, phenomenological analysis of Arendt that represents a viable third way between the "modernist" and "postmodernist" camps in Arendt scholarship. It also introduces a number of political and ethical insights that can be drawn from a phenomenology of plurality. This book will appeal to scholars interested in the topics of plurality and intersubjectivity within phenomenology, existentialism, political philosophy, ethics, and feminist philosophy.
Hannah Arendt and Politics
Offers a new perspective on Arendt as a political thinker as well as a political actor
