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"Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing, idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all tr...
Close Reading puts the artwork in the center of concentrated art-historical interpretations programmatically. Seventy-two international authors each analyze one work of architecture, sculpture, painting, drawing, or graphic work, from Albrecht Dürer and Matthias Grünewald, to Titian, Artemisia Gentileschi, Michelangelo, and Nicolas Poussin, Francesco Borromini, and Fischer von Erlach, to Oskar Kokoschka and Shirin Neshat. They pursue various methodological approaches, address the creation context or questions regarding dating and attribution, the history of a collection, provenance, and restoration, or dedicate themselves to relationships between picture and text as well as to iconographic, iconological, and image-theory aspects.
Rome: setting the stage / Richard E. Spear -- Naples / Christopher R. Marshall -- Bologna / Raffaella Morselli -- Florence / Elena Fumagalli -- Venice / Philip Sohm -- Five industrious cities / Renata Ago -- The painting industry in early modern Italy / Richard A. Goldthwaite.
In-depth work on the Nuvolone familiy in 17th-century Milan.
Die Arbeit stellt das erste Übersichts- und Nachschlagewerk zur deutschen Genremalerei im 17. Jahrhundert dar. In einem chronologisch aufgebauten Textteil werden mehr als sechzig in Deutschland tätige Malerpersönlichkeiten vorgestellt und bearbeitet, darunter Hans von Aachen, Johann Heinrich Schönfeld, Georg Philipp Rugendas, Roelant Savery und Johann Liss. Die Gemälde sind in einem Katalogteil ausführlich dokumentiert. Die Verfasserin ist Wissenschaftliche Mitarbeiterin im Museum Ludwig in Koblenz.
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