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Bitter Bitch
On a miserable January morning Sarah is sitting on a plane to Tenerife - dickheads' destination of choice - for a week-long getaway. She's just realised that she's very angry and becoming a bitter bitch, despite being just thirty years old. With her on the plane she has a copy of Erica Jong's Fear of Flying and wishes it were 1975 instead of 2005. Sarah never intended for things to turn out the way they have: she just dreamed of love like everyone else. But now she's sitting here, thinking about all the injustices she's suffered. Thinking about how thoroughly fooled she was by the promise of love - the one that makes us want to start a family. Thinking about all the women she knows who, like her, were drained of all their energy by family hell - an inheritance passed down directly from generation to generation, from her restless mother's eczema-covered dishpan hands to her own nervous over-achiever complex. Angry and candid, Bitter Bitch is an uncompromising novel, at the heart of which is one of the most important women's issues: how can we ever have an egalitarian society when we can't even live in equality with those we love?
Maternal Abandonment and Queer Resistance in Twenty-First-Century Swedish Literature
This book questions why so many mothers leave their families in twenty-first-century Swedish literature, analyzing literary representations of maternal abandonment in relation to sociopolitical discourses. The volume draws on a queer-theoretical framework in order to highlight norm-critical dimensions, failure, and resistance in literature about motherhood. Jenny Björklund argues that novels about mothers who leave can be understood as ways to problematize and challenge Swedish-branded values like gender equality and a progressive family politics that promotes ideals of involved parenthood, the nuclear family, and pronatalism. The book also raises questions beyond the Swedish context about maternal ambivalence, family politics, and privilege and discusses how literature can work as resistance and provide alternatives to the current social order.
No Heroes, No Monsters
No Heroes, No Monsters focuses on the dramatic struggle of Anna Ardin, the WikiLeaks activist who, in 2010, came forward to report sexual abuse by Julian Assange. This is her testimony to a legal trial that was replaced by an Internet tribunal. A tribunal where women's rights are all too often both neglected and weaponized. A tribunal that every day of the year chooses a new woman to be the most hated. The book goes beyond the headlines - the black and white pictures of heroes or monsters - and emphasizes the need to acknowledge the shades of gray. In the book Ardin navigates through her personal life, the sexual assault charges, the media frenzy and the extensive hatred that followed from accusing a popular man, as well as through the unfair accusations of Chelsea Manning and WikiLeaks. Ardin's story is a call for justice for everyone abused, holding even important people accountable. It's a powerful compilation of the feminist lessons Ardin learned from living, for over a decade, in the shadow of the "hero" myth.
Bitter Bitch
On a miserable January morning Sarah is sitting on a plane to Tenerife - dickheads' destination of choice - for a week-long getaway. She's just realised that she's very angry and becoming a bitter bitch, despite being just thirty years old. With her on the plane she has a copy of Erica Jong's Fear of Flying and wishes it were 1975 instead of 2005. Sarah never intended for things to turn out the way they have: she just dreamed of love like everyone else. But now she's sitting here, thinking about all the injustices she's suffered. Thinking about how thoroughly fooled she was by the promise of love - the one that makes us want to start a family. Thinking about all the women she knows who, like her, were drained of all their energy by family hell - an inheritance passed down directly from generation to generation, from her restless mother's eczema-covered dishpan hands to her own nervous over-achiever complex. Angry and candid, Bitter Bitch is an uncompromising novel, at the heart of which is one of the most important women's issues: how can we ever have an egalitarian society when we can't even live in equality with those we love?
Retellings
Retellings: Opportunities for Feminist Research in Rhetoric and Composition Studies In Retellings: Opportunities for Feminist Research in Rhetoric and Composition Studies, the contributors use the anniversary of the publication of Cheryl Glenn’s Rhetoric Retold: Regendering the Tradition from Antiquity Through the Renaissance, the first book to examine women’s contributions to rhetoric across history, as an opportune moment to assess feminist rhetorical research and test out new possibilities. Together, the essays ask, what does it or should it mean to engage rhetoric from a feminist perspective? Each chapter addresses one of four aspects of this question, including the place of feminist...
Reclaiming the Public Sphere
This volume brings together a range of different specialists in the arts and cultural industries, as well as international academics and public intellectuals, to explore how media and communication practices for social change are currently being reconfigured in both conceptual and rhetorical terms.
Varieties of Opposition to Gender Equality in Europe
In contrast to the wealth of studies on progress towards gender equality, opposition to gender equality is rarely studied, which makes it difficult to understand the positive and negative dynamics of gender equality as a political project. The first of its kind, this timely collection examines the potential and challenges of our current scholarship on understanding opposition to gender+ equality in Europe. Divided into three parts, Mieke Verloo and her team of international experts begin Varieties of Opposition to Gender Equality in Europe by theorizing the dynamics of opposition to gender equality policies in Europe. Part Two highlights oppositional actors (politicians, governments, citizen...
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Scandinavian Crime Fiction
This collection of articles studies the development of crime fiction in Denmark, Finland, Iceland, Norway and Sweden since the 1960s, offering the first English-language study of this widely read and influential form. Since the first Martin-Beck novel of Maj Sjöwall and Per Wahlöö appeared in 1965, the socially-critical crime novel has figured prominently in Scandinavian culture, and found hundreds of millions of readers outside Scandinavia. But is there truly a Scandinavian crime novel tradition? Scandinavian Crime Fiction identifies distinct features and changes in the Scandinavian crime tradition through analysis of some of its most well-known writers: Henning Mankell, Stieg Larsson, A...
A Book of European Writers
A Book of European Writers A-Z By Country Published on June 12, 2014 in USA.
