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The Great European Stage Directors Volume 8
This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as 3 leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
The Great European Stage Directors Volume 8
This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as 3 leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
Allemagne d'aujourd'hui, n°219/janvier - mars 2017
Ce dossier porte un regard à la fois rétrospectif et introspectif sur les milieux alternatifs et les expérimentations artistiques qui ont émergé en RDA, particulièrement durant les années 1980. À travers des témoignages et des analyses d'œuvres ou de trajectoires d'artistes, sont envisagés la grande variété de formes produites mais aussi les...
Allemagne d'aujourd'hui, n°218/octobre - décembre 2016
Disparaître ou renaître – les défis démographiques que l'Allemagne devra affronter (No 218, octobre-décembre 2016). Ce dossier dirigé par Brigitte Lestrade et Anne Salles aborde la grande variété des problèmes suscités par le recul persistant du nombre de naissances en Allemagne, qu’il s’agisse de la politique familiale, de l’immigration...
Die Rezeption der DDR-Literatur in Frankreich II
Dieser Dokumentationsband umfasst das Repertorium der ins Französische übersetzten literarischen Werke und Texte in Buchausgaben, Anthologien und Periodika von über 150 Autoren der DDR und Ex-DDR. Die bibliographischen Angaben zu den einzelnen Autoren berücksichtigen neben den Interviews und den germanistischen Beiträgen in Fachzeitschriften, Monographien und Sammelwerken die Buch- und Theaterkritiken der Tages- und Wochenzeitungen. Der Band verzeichnet ebenfalls die Sekundärliteratur wie Gesamtdarstellungen in Literaturgeschichten und Nachschlagewerken, Sammelrezensionen sowie autor- und gattungsspezifische Beiträge u. a. zur feministischen Literatur, zum Kinder- und Jugendbuch, zum Theater, zur Lyrik. Aufgenommen wurden ferner Beiträge zur Kulturpolitik und -kritik, den Kulturbeziehungen zwischen Frankreich und der DDR und zum literarischen Transfer. Ein Anhang zur Brechtdiskussion der siebziger Jahre und der Brechtinszenierungen bis 1990 nebst allgemeinen bibliographischen Hinweisen beschliessen den Band. Die Dokumentation ist eine Ergänzung zum 2001 im gleichen Verlag erschienenen Buch.
Spectatorship and the Real in French Contemporary Theatre
This book explores how avant-garde directors in French theatre play on their audiences' frustration to generate an encounter with the real. Focusing on the work of directors such as Gisèle Vienne, Jan Lauwers, Rodrigo Garcia, Jan Fabre and Romeo Castellucci, the book looks at how these directors manipulate their audiences to experience a raw perception of materiality and physical bodies on stage, set within narratives of mystery and the uncanny. This approach has led to these directors' work described as 'obscene', 'pretentious', 'demagogic' and 'provocative'. Because of this, the act of spectating and the nature of spectatorship itself becomes complicated and tends to leave French audience...
Directors’ Theatre
This extended new edition of a seminal text marks the 30th anniversary of the original book's major intervention in the discipline. Bradby and Williams' field-defining book introduced the continental-European approach to directing, recognising the work of the modern stage director as an artist in his or her own right for the first time. Now edited by Peter M. Boenisch in collaboration with David Williams, this new edition includes an additional four chapters by leading contemporary experts on theatre direction. Covering recent practices and developments, as well as new trends in the academic research on directing, Directors' Theatre interrogates working ethics and performance aesthetics, dir...
Jan Fabre
L'influence réciproque entretenue entre les arts visuels et les arts de la scène occupe une place de premier plan dans les pièces de l'artiste flamand Jan Fabre. L'homme de théâtre et artiste plasticien interroge notre rapport au réel. Les auteurs de ce recueil se proposent d'offrir une vision complète - bien que non exhaustive - de ses créations, qu'il s'agisse de ses oeuvres plastiques ou des oeuvres théâtrales, et dévoilent les mécanismes de la dimension paradoxale qui est un de leur plus puissant ressort.
Biblio East
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