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A Mythology of Forms
The German art historian and critic Carl Einstein (1885-1940) was at the forefront of the modernist movement that defined the twentieth century. One of the most prolific and brilliant early commentators on cubism, he was also among the first authors to assess African sculpture as art. Yet his writings remain relatively little known in the Anglophone world. With A Mythology of Forms, the first representative collection of Einstein’s art theory and criticism to appear in English translation, Charles W. Haxthausen fills this gap. Spanning three decades, it assembles the most important of Einstein’s writings on the art that was central to his critical project—on cubism, surrealism, Pablo Picasso, Georges Braque, and Paul Klee, and includes the full texts of his two pathbreaking books on African art, Negro Sculpture (1915) and African Sculpture (1921). With fourteen texts by Einstein, each presented with extensive commentary, A Mythology of Forms will bring a pivotal voice in the history of modern art into English.
The Rediscovered Writings of Veza Canetti
A fresh, nuanced view of Veza Canetti's literary career and its relationship to that of her famous husband. The Viennese playwright, novelist, and short-story writer Veza Canetti was born in 1897 into a mixed Sephardic-Ashkenazi Jewish family and died in 1963 in London. Part of the avant garde in 1920s Vienna (where she met her future husband and Nobel Prize winner, Elias Canetti), from 1932 she wrote radical short stories drawn from everyday life for the Vienna Arbeiter-Zeitung. After censorship under the so-called Corporate State reduced her opportunities for publication, she disguised her critique in irony and humor, but from then on published little. Until 1990, when her first novel, Yel...
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The Expressionist Turn in Art History
During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.
Consumption and Violence
Reveals the relationship between the rise of political violence in West Germany to the unprecedented growth of consumption
The Kindertransport to Britain 1938/39
Preliminary Material -- The Kindertransports: An Introduction /Anthony Grenville -- The Kindertransport in British Historical Memory /Caroline Sharples -- Polish Kinder and the Struggle for Identity /Jennifer Craig-Norton -- Nicholas Winton, Man and Myth: A Czech Perspective /Jana Burešová -- Migration after the Kindertransport: The Scottish Legacy? /Frances Williams -- The Last of the Kindertransports. Britain to Australia, 1940 /Alexandra Ludewig -- From Europe to the Antipodes: Acculturation and Identity of the Deckston Children and Kindertransport Children in New Zealand /Simone Gigliotti and Monica Tempian -- The Ordeals of Kinder and Evacuees in Comparative Perspective /Edward Timms ...
The invention of the 20th century
The art critic and historian Carl Einstein was one of the most important and multifaceted personalities of the 20th-century artistic avant-garde. His books, articles and essays were fundamental pieces for the critical study of the avant-garde movements; in them he introduced the West to African art and ratified Cubism as a movement in its own right. His intellectual oeuvre, rediscovered in recent decades, is now paid tribute at the MNCARS. This is the first international exhibition to offer a visual description of the work of Einstein, a key figure in visual arts as well as literature, theatre, film and political action. The Invention of the 20th Century shows significant works by the most important artists of the avant-garde movements, whom Einstein knew and on whose careers he reflected and wrote. The one hundred and twenty pieces on display are signed by names like Braque, Dal, Grosz, Lger, Mir, Picasso, Rousseau, Paul Klee and Otto Dix, to name a few.
Cities of Refuge
Contrasts the experiences of German Jewish refugees from the Holocaust who fled to London and New York City. In the years following Hitlers rise to power, German Jews faced increasingly restrictive antisemitic laws, and many responded by fleeing to more tolerant countries. Cities of Refuge compares the experiences of Jewish refugees who immigrated to London and New York City by analyzing letters, diaries, newspapers, organizational documents, and oral histories. Lori Gemeiner Bihler examines institutions, neighborhoods, employment, language use, name changes, dress, family dynamics, and domestic life in these two cities to determine why immigrants in London adopted local customs more quick...
Form as Revolt
The German writer and art critic Carl Einstein (1885–1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein's multifaceted career, offering the first comprehensive intellectual biography of Einstein in English.Einstein first emerged as a writer of experimental prose through his involvement with the anarchist journal Die Aktion. After a few limited forays into art criticism, he burst onto the art scene in 1915 with his book Negro Sculpture, at once a formalist intervention into the contemporary theory and practice of European sculpture and a manifesto for the soph...
The Young Victims of the Nazi Regime
During the Nazi regime many children and young people in Europe found their lives uprooted by Nazi policies, resulting in their relocation around the globe. The Young Victims of the Nazi Regime represents the diversity of their experiences, covering a range of non-European perspectives on the Second World War and aspects of memory. This book is unique in that it places the experiences of children and youth in a transnational context, shifting the conversation of displacement and refuge to countries that have remained under-examined in a comparative context. Featuring essays from an international range of experts, this book analyses the key themes in three sections: the migration of children ...
