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The Doves Press
This highly-researched work is the most authoritative account of the first and most famous private press of the 20th century The Doves Press. Starting its operation in the wake of William Morris, the Doves Press became a major influence in the development of modern book design. Marianne Tidcombe reveals the intriguing story of the cutting of the famous Dove's Type, the printing of Paradise Lost, Paradise Regain'd, and The English Bible. Also included is the saga of Cobden-Sanderson's short and stormy partnership with Emery Walker.
Women Bookbinders, 1880-1920
During the period 1880 to 1920 the number of women bookbinders in Britain increased dramatically. This is an introduction to the role and work of women craft binders during the period, including Sarah Prideaux, Katharine Adams, Sybil Pye and the Guild of Women Binders.
A Book in the Hand
As we find ourselves in a technological revolution and the computer screen takes over the printed page, the history of the book has become a subject of study throughout the world. This collection of 15 essays looks at at a wide variety of topics from the history of the printed word in New Zealand.
A Man's Place
divDomesticity is generally treated as an aspect of women’s history. In this fascinating study of the nineteenth-century middle class, John Tosh shows how profoundly men’s lives were conditioned by the Victorian ideal and how they negotiated its many contradictions. Tosh begins by looking at the experience of boyhood, married life, sex, and fatherhood in the early decades of the nineteenth century—illustrated by case studies representing a variety of backgrounds—and then contrasts this with the lives of the late Victorian generation. He finds that the first group of men placed a new value on the home as a reaction to the disorienting experience of urbanization and as a response to th...
Women in Print
Women readers, editors, librarians, authors, journalists, booksellers, and others are the subjects in this stimulating new collection on modern print culture. The essays feature women like Marie Mason Potts, editor of Smoke Signals, a mid-twentieth century periodical of the Federated Indians of California; Lois Waisbrooker, publisher of books and journals on female sexuality and women's rights in the decades after the Civil War; and Elizabeth Jordan, author of two novels and editor of Harper's Bazaar from 1900 to 1913. The volume presents a complex and engaging picture of print culture and of the forces that affected women's lives in the nineteenth and twentieth centuries. Published in collaboration among the University of Wisconsin Press, the Center for the History of Print Culture in Modern America (a joint program of the University of Wisconsin–Madison and the Wisconsin Historical Society), and the University of Wisconsin–Madison General Library System Office of Scholarly Communication.
Made in Newark
What does it mean to turn the public library or museum into a civic forum? Made in Newark describes a turbulent industrial city at the dawn of the twentieth century and the ways it inspired the library's outspoken director, John Cotton Dana, to collaborate with industrialists, social workers, educators, and New Women. This is the story of experimental exhibitions in the library and the founding of the Newark Museum Associationùa project in which cultural literacy was intertwined with civics and consumption. Local artisans demonstrated crafts, connecting the cultural institution to the department store, school, and factory, all of which invoked the ideal of municipal patriotism. Today, as cultural institutions reappraise their relevance, Made in Newark explores precedents for contemporary debates over the ways the library and museum engage communities, define heritage in a multicultural era, and add value to the economy.
The Doves Bindery
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Women Bookbinders, 1880-1920
A study of individual women bookbinders of the period and the Guild of Women Bookbinders, focusing on Britain and also covering American women craft binders. Offers a historical introduction, profiles key women in the field, and examines less traditional styles of bookbinding, such as embroidery and painting on vellum, revived by women binders of the time. Appendices list tools used by particular binders, women and groups associated with the Guild, and British women in charge of bookbinder's shops, 1648-1901. Includes 32 color photos of bookbindings and some 100 bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR
The New Bookbinder
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The Collected Letters of William Morris, Volume III
These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Pres...
