Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Routledge Handbook of Counter-Narratives
Routledge Handbook of Counter-Narratives is a landmark volume providing students, university lecturers, and practitioners with a comprehensive and structured guide to the major topics and trends of research on counter-narratives. The concept of counter-narratives covers resistance and opposition as told and framed by individuals and social groups. Counter-narratives are stories impacting on social settings that stand opposed to (perceived) dominant and powerful master-narratives. In sum, the contributions in this handbook survey how counter-narratives unfold power to shape and change various fields. Fields investigated in this handbook are organizations and professional settings, issues of education, struggles and concepts of identity and belonging, the political field, as well as literature and ideology. The handbook is framed by a comprehensive introduction as well as a summarizing chapter providing an outlook on future research avenues. Its direct and clear appeal will support university learning and prompt both students and researchers to further investigate the arena of narrative research.
Counter-Narratives and Organization
Counter-Narratives and Organization brings the concept of "counter-narrative" into an organizational context, illuminating these complex elements of communication as intrinsic yet largely unexplored aspect of organizational storytelling. Departing from dialogical, emergent and processual perspectives on "organization," the individual chapters focus on the character of counter-narratives, along with their performative aspects, by addressing questions such as: how do some narratives gain dominance over others? how do narratives intersect, relate and reinforce each other how are organizational members and external stakeholders engaged in the telling and re-telling of the organization? The empir...
Leadership Communication
This book is about what leaderhip communication is, what recent research shows, and how, as a manager, you can translate this knowledge into an effective use of your communication resources.
Trial Stories in Jewish Antiquity
What can early Jewish courtroom narratives tell us about the capacity and limits of human justice? By exploring how judges and the act of judging are depicted in these narratives, Trial Stories in Jewish Antiquity: Counternarratives of Justice challenges the prevailing notion, both then and now, of the ideal impartial judge. As a work of intellectual history, the book also contributes to contemporary debates about the role of legal decision-making in shaping a just society. Chaya T. Halberstam shows that instead of modelling a system in which lofty, inaccessible judges follow objective and rational rules, ancient Jewish trial narratives depict a legal practice dependent upon the individual j...
Strange Voices in Narrative Fiction
From its beginnings narratology has incorporated a communicative model of literary narratives, considering these as simulations of natural, oral acts of communication. This approach, however, has had some problems with accounting for the strangeness and anomalies of modern and postmodern narratives. As many skeptics have shown, not even classical realism conforms to the standard set by oral or ‘natural’ storytelling. Thus, an urge to confront narratology with the difficult task of reconsidering a most basic premise in its theoretical and analytical endeavors has, for some time, been undeniable. During the 2000s, Nordic narratologists have been among the most active and insistent critics of the communicative model. They share a marked skepticism towards the idea of using ‘natural’ narratives as a model for understanding and interpreting all kinds of narratives, and for all of them, the distinction of fiction is of vital importance. This anthology presents a collection of new articles that deal with strange narratives, narratives of the strange, or, more generally, with the strangeness of fiction, and even with some strange aspects of narratology.
When We Get to the End--
The foundation of the modern science of narrative texts-narratology-has, to a great extent, been the folktale and the fairy tale. This book directs the narratological focus towards another tale-genre, namely the literary imitation of the traditional tale known as the art M���¤rchen in its undoubtedly most famous expression, the stories of the Danish author Hans Christian Andersen. This volume provides for new readings of Andersen's stories and throws new light on narratology through the exploration of his highly complex tales.
Exploring Fictionality
The concept of fictionality has been proposed within rhetorical narratology to describe a communicative mode in which the qualities of fiction are deployed across genres and media that extend far beyond the novel and short story. Whether in political rhetoric, autobiographical writing, or organizational communication, fictionality offers ways to understand real-life events through the imagined. Yet its consequences as persuasive communication, its multiple definitions and textual characteristics as well as its reception are all subject to ongoing theorization and discussion. In this anthology, scholars from a range of disciplines engage with -- and problematize -- the rhetorical approach to fictionality. Analyses of literature, commercials, graphic memoirs, political speeches, and a public municipality provide testing grounds for the concept, and the volume's organization facilitates discussion and reflection among its contributors. The analyses are bookended by an opening chapter with a primarily theoretical focus and two closing chapters which critically engage with one another on theoretical issues while offering reflections on the analyses from a rhetorical perspective.
The Routledge Companion to Narrative Theory
The Routledge Companion to Narrative Theory brings together top scholars in the field to explore the significance of narrative to pressing social, cultural, and theoretical issues. How does narrative both inform and limit the way we think today? From conspiracy theories and social media movements to racial politics and climate change future scenarios, the reach is broad. This volume is distinctive for addressing the complicated relations between the interdisciplinary narrative turn in the academy and the contemporary boom of instrumental storytelling in the public sphere. The scholars collected here explore new theories of causality, experientiality, and fictionality; challenge normative modes of storytelling; and offer polemical accounts of narrative fiction, nonfiction, and video games. Drawing upon the latest research in areas from cognitive sciences to complexity theory, the volume provides an accessible entry point for those new to the myriad applications of narrative theory and a point of departure for new scholarship.
