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An authoritative portrait of the Latin-American warrior-statesman draws on a wealth of primary documents to set his life against a backdrop of the explosive tensions of 19th-century South America, providing coverage of such topics as his role in the 1813 campaign for Colombian and Venezuelan independence, his legendary love affairs and his achievements as a strategist, abolitionist and diplomat.
Winner, American Library Association Booklist’s Top of the List, 2019 Adult Nonfiction Acclaimed writer Marie Arana delivers a cultural history of Latin America and the three driving forces that have shaped the character of the region: exploitation (silver), violence (sword), and religion (stone). “Meticulously researched, [this] book’s greatest strengths are the power of its epic narrative, the beauty of its prose, and its rich portrayals of character…Marvelous” (The Washington Post). Leonor Gonzales lives in a tiny community perched 18,000 feet above sea level in the Andean cordillera of Peru, the highest human habitation on earth. Like her late husband, she works the gold mines ...
In her father’s Peruvian family, Marie Arana was taught to be a proper lady, yet in her mother’s American family she learned to shoot a gun, break a horse, and snap a chicken’s neck for dinner. Arana shuttled easily between these deeply separate cultures for years. But only when she immigrated with her family to the United States did she come to understand that she was a hybrid American whose cultural identity was split in half. Coming to terms with this split is at the heart of this graceful, beautifully realized portrait of a child who “was a north-south collision, a New World fusion. An American Chica.” Here are two vastly different landscapes: Peru—earthquake-prone, charged w...
An authoritative portrait of the Latin-American warrior-statesman examines his life against a backdrop of the tensions of nineteenth-century South America, covering his achievements as a strategist, abolitionist, and diplomat.
Carlos Bluhm leads the good life in upper-class Lima: He attends social functions with his elegant wife, goes out drinking with his three best friends, and has the occasional, fleeting assignation. Then he meets Maria Fernandez, a dancer at a tango bar in a rough part of town. The beautiful fifteen-year-old intoxicates him. An indigenous dark-skinned Peruvian, she represents everything his safe white world does not, and soon he can’t get her out of his mind. They begin a passionate affair, one that will destroy his marriage and shatter the only reality he’s ever known. Flash forward twenty years: Against all odds, Carlos and Maria have remained together. But when Maria finally presses for a formal commitment, feelings long suppressed erupt in a tense endgame that sends both of them hurtling toward a dangerous resolution that will forever alter their lives.
In this dazzling collection of essays, today's most celebrated writers explore their personal relationships with the literary life.
Winner, American Library Association Booklist’s Top of the List, 2019 Adult Nonfiction Longlisted for the 2020 Andrew Carnegie Medals for Excellence Against the background of a thousand years of vivid history, acclaimed writer Marie Arana tells the timely and timeless stories of three contemporary Latin Americans whose lives represent three driving forces that have shaped the character of the region: exploitation (silver), violence (sword), and religion (stone). Leonor Gonzales lives in a tiny community perched 18,000 feet above sea level in the Andean cordillera of Peru, the highest human habitation on earth. Like her late husband, she works the gold mines much as the Indians were forced ...
Don Victor Sobrevilla, a lovable, eccentric engineer, always dreamed of founding a paper factory in the heart of the Peruvian rain forest, and at the opening of this miraculous novel his dream has come true—until he discovers the recipe for cellophane. In a life already filled with signs and portents, the family dog suddenly begins to cough strangely. A wild little boy turns azurite blue. All at once Don Victor is overwhelmed by memories of his erotic past; his prim wife, Doña Mariana, reveals the shocking truth about her origins; the three Sobrevilla children turn their love lives upside down; the family priest blurts out a long-held secret.... A hilarious plague of truth has descended on the once well-behaved Sobrevillas, only the beginning of this brilliantly realized, generous-hearted novel. Marie Arana’s style, originality, and trenchant wit will establish her as one of the most audacious talents in fiction today and Cellophane as one of the most evocative and spirited novels of the year.
Accomplished architectural photographer Torrey assembles over 100 color photographs of the stone terraces of Machu Picchu, all carefully executed in reasonably good light over the course of a few days during two trips to the site, one during the summer solstice and a subsequent visit during the winter solstice. Torrey manages to capture a sense of solitude in a fairly cohesive photo-essay with images ranging from majestic views to haunting stone formationsno small feat given the number of people who swarm to this popular tourist spot. Marie Arana (Lima Nights) provides a worthwhile introduction to Machu Picchu in both English and Spanish. In reading the text and looking through the photographs, however, one longs for greater substance, perhaps a little more insight into the lives of those who once peopled this sacred place. It would have been helpful, at a bare minimum, for each of the photographs to be captioned. Still, this can be recommended as a solid introduction to Machu Picchu.Raymond Bial, First Light Photography, Urbana, IL Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Vladimir Voinovich, one of the great satirists of contemporary Russian literature, comes a new comic novel about the absurdity of politics and the place of the individual in the sweep of human events. Monumental Propaganda, Voinovich’s first novel in twelve years, centers on Aglaya Stepanovna Revkina, a true believer in Stalin, who finds herself bewildered and beleaguered in the relative openness of the Khrushchev era. She believes her greatest achievement was to have browbeaten her community into building an iron statue of the supreme leader, which she moves into her apartment after his death. And despite the ebb and flow of political ideology in her provincial town, she stubbornly, ...