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Gender and Sexuality in Twentieth-Century Chinese Literature and Society
"Only women and inferior men are difficult to deal with." -- Confucius Two thousand years after Confucius, the contributors to this book ask if Chinese women have succeeded in changing their status as the equivalent of "inferior men." Gender and Sexuality in Twentieth-Century Chinese Literature and Society approaches the role of women in social change through analyzing literature and culture during the May Fourth and the Post-Cultural Revolution periods.
Misogyny, Cultural Nihilism, and Oppositional Politics
Written from a feminist perspective, this is a cultural and ideological study of modern China as seen in the writing of experimental fiction, one of the main attempts to subvert the conventions of socialist realism in contemporary Chinese literature.
Encyclopedia of Contemporary Chinese Culture
First Published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.
Masculinity Besieged?
A feminist psychoanalytic account of changing conceptions of men and masculinity as seen in recent Chinese literature.
The Formation of Chinese Art Cinema
The Formation of Chinese Art Cinema: 1990–2003 examines the development of Chinese art film in the People’s Republic of China from 1990, when the first Sixth Generation film Mama was released, to 2003, when authorities acknowledged the legitimacy of underground filmmakers. Through an exploration of the production and consecration mechanisms of the new art wave and its representative styles, this book argues that the art wave of the 1990s fundamentally defined Chinese art cinema. In particular, this vital art wave was not enabled by democratic liberalism, but by the specific industrial development, in which the film system transitioned from Socialist propaganda into a commercialized entity. Allowing Chinese art film to grow but at the same time denying its legitimacy, this paradoxical transition process shaped Chinese art film’s institutional and aesthetical alternative positioning, which eventually helped consolidate the art wave into art cinema. Ultimately, this book is a history of the Chinese portion of global art cinema, which also reveals the complex Chinese cultural experiences during the Reform Era.
China Review
None
Against Autonomy
This book investigates "cultural instruments," meaning normative forms of analysis and practice that are central to Western culture. It explores their history from antiquity to the early Enlightenment and their use and reworking by different cultures, moving from Europe to Africa and the Americas, especially the Caribbean, in the process giving close readings of a wide range of authors.
Chinese Ideas About Nature and Society
The universe, in Chinese eyes, is a harmonious organism; its pattern of movement is inherent and not imposed from without; and the world of man, being a part of the universe, follows a similar pattern. (Derk Bodde, Harmony and Conflict in Chinese Philosophy). The main theme that pervades this Festschrift, written by fellow-scholars and students of Bodde for his seventy-fifth birthday, is that of the proper ordering of the universe as it obtains in the Chinese tradition.
Migration, Indigenization and Interaction
Pt. 1. Migration and globalization. ch. 1. Migration, localization and cultural exchange : global perspectives of Chinese overseas. ch. 2. Three cultures of migration. ch. 3. The Huagong, the Huashang and the diaspora -- pt. 2. North America. ch. 4. Immigrants from China to Canada : issues of supply and demand of human capital. ch. 5. Deconstructing parental involvement : Chinese immigrants in Canada. ch. 6. Migration, ethnicity and citizenry of Chinese Americans in selected regions of the US -- pt. 3. South and Southeast Asia. ch. 7. Territory and centrality among the Chinese in Kolkata. ch. 8. Examining the demographic developments relating to the ethnic Chinese in Vietnam since 1954. ch. ...
