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Women Mystics Confront the Modern World
Situates the female mystical tradition within the context of the epistemological shift which occurred at the dawn of the modern world.
Essays on Epistemological Transformations and Theater History
Includes essays that focus on the participation of the drama in changing religious and economic systems, along with essays that focus on theater history in the transmission and revision of dramatic sources--Page v.
Woman to Woman
The collection is in honor of Mary Waldron, a founder member of the Women's Studies Group, whose distinguished scholarship is exemplified in the first chapter, and whose generous encouragement of other specialists in feminist studies in the long eighteenth century.
Figuring Modesty in Feminist Discourse Across the Americas, 1633-1700
Inventive in its approach and provocative in its analysis, this study offers fresh readings of the arguments and practices of four seventeenth-century Euro-American women: Anne Bradstreet, Anne Hutchinson, Sor Juana Inés de la Cruz, and Marie de l'Incarnation. Tamara Harvey here compares functionalist treatments of the body by these women, offering a new way to think of corporeality as a device in literary and religious expressions of modesty by women. In doing so, Harvey explores the engagement of these women in ongoing religious, political, scientific and social debates that would have been understood by the authors' contemporaries in both Europe and America.
Annual Report - National Endowment for the Humanities
Includes appendices.
A Scion of the Times
None
The Muses of Resistance
In this challenging 1990 study, Donna Landry shows how an understanding of the remarkable but neglected careers of laboring-class women poets in the eighteenth century provokes a reassessment of our ideas concerning the literature of the period. Poets such as the washerwoman Mary Collier, the milkwoman Ann Yearsley, the domestic servants Mary Leapor and Elizabeth Hands, the dairywoman Janet Little, and the slave Phyllis Wheatley can be seen adapting the conventions of polite verse for the purposes of social criticism. Some of their strategies relate to earlier texts, revealing ideological blind spots in the tropes of male poets. Elsewhere, they made interesting innovations in poetic form. Mary Leapor's 'Crumble Hall', for instance, by attending to sexual politics, extends the critique of aristocratic privilege in the country-house poem beyond that of Pope and Crabbe. In Ann Yearsley's verse, landscape description, historical narrative, and philosophical meditation are infused with political comment. Historically important, technically impressive and often aesthetically innovative, the poetic achievements of these plebeian women writers constitute an exciting literary discovery.
Holy Boldness
From its inception in the nineteenth century, the Wesleyan/Holiness religious tradition has offered an alternative construction of gender and supported the equality of the sexes. In Holy Boldness, Susie C. Stanley provides a comprehensive analysis of spiritual autobiographies by thirty-four American Wesleyan/Holiness women preachers, published between the mid-nineteenth and mid-twentieth centuries. While a few of these women, primarily African Americans, have been added to the canon of American women's autobiography, Stanley argues for the expansion of the canon to incorporate the majority of the women in her study. She reveals how these empowered women carried out public ministries on behal...
Gendered Persona and Poetic Voice
Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-authored poems in light of the highly indeterminate Chinese poetic language, resulting in a consideration of persona and poetic voice of interest to scholars of lyric poetry in any language.
