You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book is published in conjunction with the exhibition SPLENDOR: Juan Luna, Painter as Hero, a multimedia exhibition mounted in celebration of the 125th anniversary of Philippine Independence and Nationhood. The exhibition and accompanying publication aim to capture a watershed moment in our history through the analysis and investigation of the long-lost painting by Juan Luna, Hymen, oh Hyménée! which received a Bronze medal at the 1889 Universal Exposition in Paris. Organized around three main themes, namely: the world of 1889, the complex imagery of Hymen, oh Hyménée!, and the painter as hero, the exhibition hopes to be both a fitting introduction to this important cultural treasure and a compelling prompt to revisit our country’s journey to nationhood, amid a radically and rapidly transforming world surrounding it at that time.
This book is published in conjunction with Intertwined: Transpacific, Transcultural Philippines, Ayala Museum's inaugural exhibition for its newly renovated space opened in 2021. It is authored by the exhibition curator Florina H. Capistrano-Baker, Ph.D. and features essays by contributing scholars and field experts—Sandra Castro; Michael F. Manalo, M.Arch; Maria Cristina Martinez-Juan, Ph.D.; and Iván Valdez-Bubnov, Ph.D. Intertwined provides important scholarship on Filipino heritage and transpacific studies. The publication also serves as the catalogue of the exhibition. The exhibition and its joint publication open up visual and verbal conversations on the complexities and contradictions of Filipino art and identity. By illuminating the Filipino’s transcultural heritage resulting from pre- and post-colonial maritime exchanges with diverse cultures in Asia, America, and Europe, Filipinos can gain a better understanding of our culture and take pride in the excellence we've shown throughout history in the arts, diplomacy, entrepreneurship, and the global economy.
With the opening of the newly renovated Ayala Museum in 2021 also came the inaugural exhibition in the new Fernando Zóbel gallery entitled Landscape into Painting: Fernando Zóbel Serie Blanca, which focuses on the peak of lyricism in Zóbel’s artistic practice. While the Serie Blanca period may not have been the ultimate destination in Zóbel’s visual odyssey, this passage was a definite milestone in Zóbel’s mastery over material, form, and composition. This catalogue, which accompanies the exhibition and co-published by Ayala Foundation, Inc. and Vibal Foundation, Inc., features a curatorial essay by Ditas R. Samson expanding the short discussion in the gallery, as well as Rafael Pérez-Madero's interview with Zóbel in the 1978 publication, Zóbel: La Serie Blanca.
This catalogue is published in conjunction with the Asian premiere of Zóbel: The Future of the Past, exhibited at Ayala Museum from September 14, 2024 to January 26, 2025.
Between the sixteenth and nineteenth centuries, competing European empires, notably Spain, Portugal, Great Britain, the Netherlands, Germany, France, Belgium, and others vied for commercial and political control of transoceanic networks, particularly the transpacific routes between Asia and the Americas. The essays in Transpacific Engagements: Trade, Translation, and Visual Culture of Entangled Empires (1565–1898) address the resulting cultural and artistic exchanges with an emphasis on both the Spanish and American enterprises in the Asia-Pacific region. The essays are grouped into three parts entitled “Entangled Empires,” “Empires and Translations,” and “Empires and Trade.” A...
None
Bulletin des lois, 2e partie. Ordonnances, 1e et 2e section