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Travels in Icaria
Radical in its dayand long overdue in Englishthis rare French classic traces the journey of fictional British Lord Clarisdall to the exotic island nation of Icaria. To his delight, Clarisdell discovers an ideal utopian democracy prospering amid peace and harmony. Devoid of competition or property, Icaria triumphs over the social evils of nineteeth-century capitalism. Clarisdell's amazement is constant. Foreign affairs are conducted by the community. Money and domestic commerce do not exist. Everyone gives to and draws from the common pot in equal measure. No pastoral idyll, the narrative describes a modern machine-age economy with social policiesfree education, equality for the sexes, strict family/moral tiesthat reflect enlightenment. Crime here is a myth; arts and culture are treasured commodities. Cabet described a totally integrated "community of goods" in the fifty years following the great revolution of 1782. Published at personal risk, his bold allegory gave birth to a real Icarian community that lasted into the late 1800s.
Social Experiments with Information Technology and the Challenges of Innovation
A Selection of Papers from the EEC Conference on Social Experiments with Information Technology in Odense, Denmark, January 13-15, 1986
Between Reason and Experience
A leading philosopher of technology calls for the democratic coordination of technical rationality with everyday experience. The technologies, markets, and administrations of today's knowledge society are in crisis. We face recurring disasters in every domain: climate change, energy shortages, economic meltdown. The system is broken, despite everything the technocrats claim to know about science, technology, and economics. These problems are exacerbated by the fact that today powerful technologies have unforeseen effects that disrupt everyday life; the new masters of technology are not restrained by the lessons of experience, and accelerate change to the point where society is in constant tu...
BLOODLINE: Our Father's House
BLOODLINE: OUR FATHER'S HOUSE, is set on the island of Barbados where the great manor house, Belle Terre, sits empty as it has for almost a century, on a cliff overlooking the sea. Soft sighing winds whisper through the palms that surround it in concert with the gentle waves that wash ashore in the sheltered cove below. Overhead, a flock of seagulls circle, dive, then rise upon the currents and venture further out to sea. A tour bus passes through a pair of ornate iron gates in the distance and travels up a shell-packed avenue to the main entrance. A dozen visitors emerge and enter the house. The faded grandeur of Belle Terre holds them spellbound until they are drawn to the arbor, and the g...
The Body and the Soul in Medieval Literature
The theme of the body-and-soul relationship in medieval texts and in modern reworkings of medieval matter is explored in the articles here, specifically the representation of the body in romance; the relevance of bawdy tales to the cultural experience of authors and readers in the middle ages; the function of despair, or melancholy, in medieval and Renaissance literature; and the political significance of late medieval representations of `bodies' in the chroniclers' accounts of the Rising and in Gower's poems. Two articles are devoted to modern retellings of medieval themes: John Foxe's 'Acts and Monuments', seen in relation to the traditional 'acta martyrum', and the medieval revival in Tory Britain exemplified in Douglas Oliver's 'The Infant and the Pearl'. Contributors: PAMELA JOSEPH BENSON, NIGEL S. THOMPSON, JON WHITMAN, JEROME MANDEL, BARBARA NOLAN, YASUNARI TAKADA, YVETTE MARCHAND, ROBERT F. YEAGER, JOERG O. FICHTE, JOHN KERRIGAN
Kiss Me If You Can
There are three things you need to know about Nellie Belanger: She hates apologizing. She loves exploring her sensuality. She absolutely does not want a serious relationship with anyone… extra emphasis on “one.” Which is why no one can ever find out about that one sizzling afternoon she spent in JP Marchand—aka her best friend’s brother’s—bedroom three years ago. After a chance encounter with her former professor, the semi-reserved and gorgeously attractive Ben, becomes unexpectedly steamy, Nellie thinks she’s in for the summer of a lifetime. But when she offends the wrong person with her joyfully promiscuous attitude, it looks like three years of irritatingly flirty attempts...
Good Music for a Free People
A transatlantic perspective that illuminates the Germania Musical Society's crucial role in introducing a "classical," predominantly German, repertory of instrumental works into American musical life. In Good Music for a Free People, author Nancy Newman examines the activities and reception of the Germania Musical Society, an orchestra whose members emigrated from Berlin during the Revolutions of 1848. These two dozen "Forty-Eighters" gave nearly a thousand concerts in North America during the ensuing six-year period, possibly reaching a million listeners. Drawing on a memoir by member Henry Albrecht, Newman provides insights into the musicians'desire to bring their music to the audiences of a democratic republic at this turbulent time. Eager to avoid the egotism and self-promotion of the European patronage system, they pledged to work for their mutual interests both musically and socially. "One for all, and all for one" became their motto. Originally published in German, Albrecht's memoir is presented here in for the first time in translation. Nancy Newman is Associate Professor in the Music Department at the University at Albany, SUNY.
