Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Theatre
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Provincial Modernity
A history of the making of public culture in Imperial Germany, Provincial Modernity challenges traditional accounts of the rise and fall of German liberalism and the meaning given to the "cultural work" of the German middle classes. With an interdisciplinary approach that ranges from political history to modernist art and architecture, Jennifer Jenkins explores the role that local tradition, memory, history, culture, and environment played in nineteenth-century conceptions of citizenship and community in Hamburg. Eighteen black-and-white illustrations and one color illustration enhance her portrait of the city in question. Drawing on a wide range of sources, Jenkins focuses on the city's cul...
Marie Von Clausewitz
Bellinger capitalizes on the recent discovery of a vast archive of material to produce the first complete biography of Marie von Clausewitz
Annual Report
None
Annual Report
None
Number and Time
C. G. Jung's work in his later years suggested that the seemingly divergent sciences of psychology and modern physics might, in fact, be approaching a unified world model in which the dualism of matter and psyche would be resolved. Jung believed that the natural integers are the archetypal patterns that regulate the unitary realm of psyche and matter, and that number serves as a special instrument for man's becoming conscious of this unity. Writen in a clear style and replete with illustrations which help make the mathematical ideas visible, Number and Time is a piece of original scholarship which introduces a view of how "mind" connects with "matter" at the most fundamental level.
The Reception of German Literature in U.S. German Texts, 1864-1918
This book seeks to explore the reception of German literature in the United States from 1864 to 1918, a period of great significance for both the U.S. and Germany in terms of sociopolitical developments that exerted their influence upon the production of literature. However, it is not intended to account for the entire scope of the reception of German belles lettres; rather, the book confines itself to exploring the use of those texts that were read in the classrooms of U.S. high schools and, above all, institutions of higher learning. An introductory chapter offers statistical surveys of textbooks published in the U.S., as such statistics are absolutely essential to ascertain both the availability and degree of popularity of certain texts that were exclusively intended for perusal in the classroom. The following chapters present texts dating from the late Middle Ages to the first decades of our century. Apart from establishing which texts were most frequently used, the chapters endeavor to evaluate the respective texts in terms of their intrinsic and extrinsic literary qualities.
Die Malerin
The first comprehensive catalog of an important German-Jewish expressionist painter. On the occasion of the one hundredth anniversary of the artist's birth, this catalogue presents for the first time an overview of Marie-Louise von Motesiczky's paintings in an elegant volume of full color reproductions accompanied by illuminating commentary. Born in Vienna, she studied with Max Beckmann, who became a significant influence on the young artist. Later, in exile in London, Motesiczky grew close to Oskar Kokoschka and became acquainted with some of the leading intellectuals of the twentieth century, including Elias Canetti, with whom she shared a long and intimate relationship. The paintings and drawings in this book explore the artist's transition from the edgy realism of her early years to the softer and more poetic paintings of her later work. Her portraits, for which she is most famous, include compelling self-examinations as well as a moving series devoted to her mother. Essays on Motesiczky's youth in Vienna, her friendship with Beckmann, and her time in London provide crucial background to a unique and fascinating artist whose wider recognition is long overdue.
