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Winner of the 1999 Spiro Kostof Book Award from the Society of Architectural Historians. During the early 1900s, Amsterdam developed an international reputation as an urban mecca when invigorating reforms gave rise to new residential neighborhoods encircling the city's dispirited nineteenth-century districts. This new housing, built primarily with government subsidy, not only was affordable but also met rigorous standards of urban planning and architectural design. Nancy Stieber explores the social and political developments that fostered this innovation in public housing. Drawing on government records, professional journals, and polemical writings, Stieber examines how government supported large-scale housing projects, how architects like Berlage redefined their role as architects in service to society, and how the housing occupants were affected by public debates about working-class life, the cultural value of housing, and the role of art in society. Stieber emphasizes the tensions involved in making architectural design a social practice while she demonstrates the success of this collective enterprise in bringing about effective social policy and aesthetic progress.
Kimberley Kinder explores how active residents in Amsterdam deployed their cityscape when rallying around civic concerns, turning space into a vehicle for social reform. Amsterdam's development serves as both an inspiration and a cautionary tale for cities across Europe and North America where rapid new growth creates similar pressures.
Published for 010 Publisher's twentieth anniversary in 2003, this volume celebrates the publishing vision of Hans Oldewarris and Peter de Winter, 010's founders. Besides hundreds of monographs by and about Dutch architects, 010 has published books on architecture, interior design, photography, industrial design, graphic design and the visual arts. Exhaustively annotated and illustrated, 20 Years 010 provides not only the technical details of each book (size, format, binding) but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay, Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
Thinking about church architecture has come to an impasse. Reformers and traditionalists are talking past each other. Statements from both sides are often strident and dogmatic. In Theology in Stone, Richard Kieckhefer seeks to help both sides move beyond the standoff toward a fruitful conversation about houses of worship. Drawing on a wide range of historical examples with an eye to their contemporary relevance, he offers new ideas about the meanings and uses of church architecture.
Passion and Control explores Dutch architectural culture of the eighteenth century, revealing the central importance of architecture to society in this period and redefining long-established paradigms of early modern architectural history. Architecture was a passion for many of the men and women in this book; wealthy patrons, burgomasters, princes and scientists were all in turn infected with architectural mania. It was a passion shared with artists, architects and builders, and a vast cast of Dutch society who contributed to a complex web of architectural discourse and who influenced building practice. The author presents a rich tapestry of sources to reconstruct the cultural context and meaning of these buildings as they were perceived by contemporaries, including representations in texts, drawings and prints, and builds on recent research by cultural historians on consumerism, material culture and luxury, print culture and the public sphere, and the history of ideas and mentalities.
22 White, wide and scattered: picturing her housing career -- 23 Toward a theory of Interior -- 24 Repositioning. Theory now. Don't excavate, change reality! -- Part VII: Forms of engagement -- 25 (Un)political -- 26 Prince complex: narcissism and reproduction of the architectural mirror -- 27 Less than enough: a critique of Aureli's project -- 28 Repositioning. Having ideas -- 29 Post-scriptum. 'But that is not enough' -- Index
This book focuses on the diffusion of architectural inventions from the Low Countries to other parts of Europe from the late fifteenth until the end of the seventeenth century. Multiple pathways connected the architecture of the Low Countries with the world, but a coherent analysis of the phenomenon is still missing. Written by an international team of specialists, the book offers case-studies illustrating various mechanisms of transmission, such as the migration of building masters and sculptors who worked as architects abroad, networks of foreign patrons inviting Netherlandish artists, printed models and the role of foreign architects who visited the Low Countries for professional reasons. Its geographical scope is as broad as the period under review and includes all European regions where Netherlandish elements were found: from Spain to Scandinavia and from Scotland to Transylvania.
Adembenemend portret van een koopmansvrouw In Lysbeth van Marlies Medema raakt Lysbeth, een rijke Amsterdamse koopmansvrouw, tegen haar wil verzeild in een politiek conflict. Het verscheurt haar en dreigt haar familie uiteen te drijven. Haar man, Rem, is een belangrijke remonstrantenleider, terwijl haar broer Jan die haar heeft grootgebracht fel contraremonstrant is. Als honderd jonge contraremonstranten hun huis overvallen, dreigt Lysbeth alles te verliezen. Ze zint op wraak om de machthebbers het zwijgen op te leggen. Maar als het stadsbestuur haar man wil oppakken voor hoogverraad, moet ze vechten voor haar leven. Lysbeth is gebaseerd op grondige research en geschreven op basis van ware gebeurtenissen uit het leven van Lysbeth Philipsdr. de Bisschop (1566-1652).
Der Kirchenarchitekt Pierre Cuypers vermittelt mit seinen neugotischen Bauten ein theologisches Konzept. Dieses Buch befasst sich damit, wer dieser Architekt war, welche Inspiration er den Kirchenbesuchern gab. Als Mitglied im Laienzweig des Dominikanerordens verstand er "seine" Kirchen als Predigt. Herr Norbert Schmeiser OP Lehrer für Geschichte, Religion und Kunst, Laiendominikaner, Veröffentlichungen u.a. über Mitglieder im Laienzweig des Predigerordens bzw. Terziare in früher sog. Dritten Orden der Prediger.