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Public Buildings in Early Modern Europe
In the early modern European city, public buildings were the main pillars of the political, mercantile and social infrastructure. In a first attempt to create a preliminary overview of current knowledge in various European countries, the IIIe and Ve Rencontres d'Architecture Europeenne, held in 2006 and 2008 at Utrecht University, The Netherlands, in cooperation with the Centre Andre Chastel, Paris, were dedicated to this subject. In these two meetings, architectural historians from all over Europe discussed the results of their research on the development of various types of public building in the various European regions between the late fifteenth and mid-eighteenth century. This publication brings together most of the contributions to these two conferences, subdivided into three categories: buildings erected for government and justice buildings serving mercantile functions buildings for education, health and social care. Konrad Ottenheym is professor for Architectural History at Utrecht University. Krista De Jonge is professor Architectural history at the Catholic University Leuven. Monique Chatenet is senior researcher at the Centre Andre Chastel/Sorbonne Paris-IV, Paris.
Unity and Discontinuity
This study focuses on change and continuity within the architecture of the Southern and Northern Low Countries from 1530 to 1700. Instead of looking at both regions separately and stressing the stylistic differences between the classicist North and the baroque South, the book establishes a new, common history of architecture for both parts of the Low Countries during the 17th century. Their reception of Antiquity in the guise of the Italian Renaissance, first introduced in Court circles in the early 16th century, constituted the common heritage on which they built after the political separation. The book also reassesses the position of Netherlandish architecture in the international debate on the Renaissance north of the Alps. Krista De Jonge is professor of architectural history at the Katholieke Universiteit Leuven. She has published extensively on early modern Netherlandish architecture, including Burgundian and Habsburg court residences and the Renaissance problematic. Konrad A. Ottenheym is professor for architectural history at Utrecht University. His research is focussed on Dutch early modern architecture and its international connections.
Between Tradition and Innovation
This book offers an analysis of the ground breaking mathematical work of Gregorio a San Vicente and his student and shows that the Flemish Jesuit Mathematics School had profound influence on mathematics in the seventeenth century.
Man, Myth, and Sensual Pleasures
Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).
Fenestration Practice and Theory in Early Modern Europe
This book explores the transformation of the window during the Early Modern Period in Europe. Following the Italian Renaissance, new stylistic norms for modern ‘classical windows’ had to be invented. Building a new classical repertoire drew on existing traditions in fenestration as local builders throughout Europe struggled with the constraints of varying climatic conditions, customs and physical resources in pursuit of a broader vision of an international classical revival. With the Renaissance, the architectural emphasis shifted towards secular design and, as the classical revival gained momentum, a quest for a cultured lifestyle commensurate with the new architecture increased demand ...
The Low Countries at the Crossroads
This book focuses on the diffusion of architectural inventions from the Low Countries to other parts of Europe from the late fifteenth until the end of the seventeenth century. Multiple pathways connected the architecture of the Low Countries with the world, but a coherent analysis of the phenomenon is still missing. Written by an international team of specialists, the book offers case-studies illustrating various mechanisms of transmission, such as the migration of building masters and sculptors who worked as architects abroad, networks of foreign patrons inviting Netherlandish artists, printed models and the role of foreign architects who visited the Low Countries for professional reasons. Its geographical scope is as broad as the period under review and includes all European regions where Netherlandish elements were found: from Spain to Scandinavia and from Scotland to Transylvania.
Refusing to Kiss the Slipper
"Refusing to Kiss the Slipper re-examines the Reformation in francophone Europe, presenting for the first time the perspective of John Calvin's evangelical enemies. This book brings together a cast of Calvin's opponents from various French-speaking territories to show that opposition to Calvinism was stronger and better organized than has ever before been recognized. It examines individual opponents, such as Pierre Caroli, Jerome Bolsec, Sebastian Castellio, Charles Du Moulin, and Jean Morély, but more importantly, it explores the anti-Calvinist networks that developed around such individuals. Each group had its own origins and agenda, but all agreed that Calvin's claim to absolute religiou...
Early Modern Sovereignties
The essays in this volume explore the theories and practices of sovereignty in the context of state-building in the early modern Northern and Southern Low Countries. The book approaches this historical debate from three angles: (1) political theoretical, (2) legal, and (3) politico-historical.
A Companion to Early Modern Naples
Naples was one of the largest cities in early modern Europe, and for about two centuries the largest city in the global empire ruled by the kings of Spain. Its crowded and noisy streets, the height of its buildings, the number and wealth of its churches and palaces, the celebrated natural beauty of its location, the many antiquities scattered in its environs, the fiery volcano looming over it, the drama of its people’s devotions, the size and liveliness - to put it mildly - of its plebs, all made Naples renowned and at times notorious across Europe. The new essays in this volume aim to introduce this important, fascinating, and bewildering city to readers unfamiliar with its history. Contr...
The Visual Legacy of Alexander the Great from the Renaissance to the Age of Revolution
This is an analysis of the diverse facets of Alexander the Great’s image from the Renaissance era through the Baroque into the nineteenth century. Perceived as the first sovereign ruler of the world, for centuries Alexander became an exemplar for the most ambitious kings and emperors. This cultural phenomenon flourished above all in the Renaissance while extending into the nineteenth century. Early modern monarchs’ identification with Alexander associated them with ideas of kingly wisdom. Yet this admiration waned on occasions. Napoleon was Alexander of Macedonia’s most ardent critic. During the nineteenth century, the Macedonian hero was viewed as an individual who won control of the Achaemenid empire, but also underwent a progressive moral decline that converted him into a tyrant. The book will be of interest to scholars working in art history and iconography.
