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Montreal Museum of Fine Arts, Collection of Mediterranean Antiquities, Vol. 1, The Ancient Glass
This catalogue raisonné describes a little-known but very interesting collection originally assembled by one of the important Canadian collectors of the early 20th century. After an account of the collection's history and a brief discussion of the techniques of ancient glass-making, the catalogue proper presents 191 pieces comprising a very wide range of typical forms, each of them fully illustrated. Publishing this extensive collection renders it available to a wide readership: students, curators, archaeologists, art historians, collectors and everybody with serious interest in the material culture of the ancient world. It is the first of a series intended to make public the different parts of the museum's collection of Mediterranean antiquities.
McCord Family
In 1921 David Ross McCord (1844-1930) founded the McCord Museum of Canadian History, which first opened in the Jessie Joseph House of McGill University. McCord's ancestors had come from Ireland to settle in Canada after the Seven Years War. Although they were initially merchants, by the late eighteenth and early nineteenth centuries the McCords derived most of their wealth from the management of seigneurial land and from the subdivision of Temple Grove, their mountain estate which covered the area now bounded by Côte des Neiges Road and Cedar Avenue. This record of the McCords and their interest in religion, education and science reflect the intellectual trends of the era. David Ross McCord sought to collect in the broadest and most objective manner, and his pursuit of his dream to create a national museum of Canadian history provides valuable insight into the evolution of Montreal.
Dictionary of Artists' Models
The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.
Museum education / Médiation culturelle - éducation muséale / Educación museal - mediación cultural
ICOM Education is the annual journal issued by CECA, the international Committee for Education and Cultural Action of the International Council of Museums (ICOM) network. The journal publishes papers written by museum professionals as well as academic researchers around the world in order to foster the reflection on the themes which are the committee's raison d'être: museum education, cultural action and audience research. This issue is dedicated to museum education, looking into the different meanings and understandings of the words as well as the various implementations in the museums all over the world.
The Christian Churches and the Democratisation of Africa
This volume focuses on the role Christian churches have played in Africa's democratisation movements since the late 1980s. In some cases churchmen have presided over national conferences; in many, Christians comprise arguably the most significant segment of civil society. In some countries pastoral letters have challenged dictators; in others, churches have provided an essential support for the status quo. The book comprises both theoretical analyses and case studies. The theoretical discussions include the history of Church-State relations; theology and democracy; Pentecostalism and democracy; the problems of consolidating democracy. The 13 case studies sketch the historical context, and then critically examine developments up till late 1993. The book will prove particularly useful to students of Third World Christianity, African historians and political scientists, and all interested in the socio-political role of Christianity.
Brilliant Effects
Pointon examines how small-scale and valuable artefacts have figured in systems of belief and in political and social practice in Europe since the Renaissance.
Early Modern Visual Culture
An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body—including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondenc...
F.H. Varley
Catalogue of an exhibition held at the Varley Art Gallery of Markham, Ont., May 25-Sept. 3, 2007 and other places.
Malcolm Morley
Reproductions mostly of Morley's paintings grouped in 7 categories.
Africa's Peacemakers
As Africa and its diaspora commemorate fifty years of post-independence Pan-Africanism, this unique volume provides profound insight into the thirteen prominent individuals of African descent who have won the Nobel Peace Prize since 1950. From the first American president of African descent, Barack Obama, whose career was inspired by the civil rights and anti-apartheid struggles promoted by fellow Nobel Peace laureates Martin Luther King, Jr., Nelson Mandela, Desmond Tutu, and Albert Luthuli; to influential figures in peacemaking such as Ralph Bunche, Anwar Sadat, Kofi Annan, and F.W. De Klerk; as well as Ellen Johnson Sirleaf, Leymah Gbowee, Wangari Maathai, and Mohamed El-Baradei, who have been variously involved in women's rights, environmental protection, and nuclear disarmament, Africa's Peacemakers reveals how this remarkable collection of individuals have changed the world - for better or worse.
