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The Farrows of Hollywood
The first intimate look at the cracked fairytale life of Hollywood's first family, the Farrows. John Farrow was Hollywood royalty. An Academy Award-winning director and screenwriter, he was married to the talented and beautiful actress Maureen O'Sullivan, best known for playing Jane in Tarzan films with Johnny Weissmuller. Together they had seven children, including esteemed actress Mia Farrow, mother of journalist Ronan Farrow. From the outside, they were a fairytale Hollywood family. But all was not as it seemed. The Farrows of Hollywood: Their Dark Side of Paradise reveals that Mia Farrow's allegations of sexual molestation by Woody Allen of their seven-year-old adopted daughter, Dylan...
Raoul Walsh
Raoul Walsh (1887–1980) was known as one of Hollywood’s most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors—along with John Ford and Howard Hawks—who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh’s generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh’s life and achievements in a career that spanned more than ...
Giant
Marilyn Ann Moss’s Giant examines the life of one of the most influential directors to work in Hollywood from the 1930s to the 1960s. George Stevens directed such popular and significant films as Shane, Giant, A Place in the Sun, and The Diary of Anne Frank. He was the first to pair Katharine Hepburn and Spencer Tracy on film in Woman of the Year. Through the study of Stevens’s life and his production history, Moss also presents a glimpse of the workings of the classic Hollywood studio system in its glory days. Moss documents Stevens’s role as a powerful director who often had to battle the heads of major studios to get his films made his way. She traces the four decades Stevens was a major Hollywood player and icon, from his earliest days at the Hal Roach Studios—where he learned to be a cameraman, writer, and director for Laurel and Hardy features—up to when his films made millions at the box office and were graced by actors such as Elizabeth Taylor, James Dean, Alan Ladd, and Montgomery Clift.
Bill Moss
The contributions of Bill Moss to mid-twentieth-century American culture were manifold. First changing the world of camping with the invention of the Pop tent, he went on to shake the world of fabric architecture with the many forms that we now take for granted. Lavishly illustrated with historic photographs, the book chronicles Moss' creative life from his early years until his death in 1994. It has a broad appeal as it encompasses many aspects of our cultural history--from architecture & design to biography to the complete transformation of the camping experience. Woven into this tale is the story of an award-winning Maine company, Moss Inc. Engaged in the creative economy long before most people used the term, it was also known as being one of most socially responsible businesses in the country, a reputation that held fast up until its sale by CEO Marilyn Moss in 2001.
Walking Shadows
Walking Shadows dramatically dissects the wild, high-profile battle between newspaper tycoon William Randolph Hearst and famous young actor, director, and filmmaker Orson Welles over Welles's groundbreaking film Citizen Kane. In 1940 and 1941 it became the center of public controversy and scandal, especially in Hollywood where Welles's own stark honesty and blatant self-confidence heightened the drama. Citizen Kane portrayed the ruthless career of an all-powerful magnate bearing (not accidentally) a striking resemblance to Hearst, who immediately tried to kill the picture. John Evangelist Walsh here illuminates the conflict between these two outsize personalities and for the first time brings Hearst's vengeful anti-Kane campaign to the fore. Walsh provides thorough documentation, supplemental notes, and an extended bibliography.
She Drove Without Stopping
Perhaps the ultimate woman's road novel, She Drove Without Stopping presents young Jane Turner's cross-country journey toward self-possession. As she refuses to turn back from a terrain we all know is dangerous to women, her wit wrestles with the violence she encounters on a risky odyssey. She Drove Without Stopping is a lusty and forthright novel. Jaimy Gordon, whose earlier books have earned her reputation as a brilliant stylist, here tells the story of a very young, very bold American woman deciding what she wants. In Jane Turner she has created a character so fresh, so self-consumed and self-righteous, that she reveals secrets of a special and particularly American type of woman.
A Twenty Minute Silence Followed by Applause
"Threading the subtle seam between what lives and what remains, A Twenty Minute Silence Followed by Applause succeeds in conjuring the poetry of Marcel Marceau's performance as both a character on stage and in history. . . . Like pulling a ghost from a dark room, this is an accomplished work of historical portraiture: precise in its objects, complex in its melancholy, and insightful in its humor." —Thalia Field Part biographic inquiry, part lyric portraiture, radio producer Shawn Wen reanimates world-renowned mime Marcel Marceau's silent art. The book opens in darkness, a single figure standing in the spotlight. It's Marceau in his signature hat, painted face, black clothes, and ballet sli...
The Herridge Style
Writer, director, and producer Robert Herridge left an enduring mark on the small screen, from his stewardship of Camera Three in the early 1950s through the exciting days of live television. The minimalist Herridge style that placed performers in front of a camera on a nearly empty soundstage, as well as his unique brand of robust morbidity, produced some of the most powerful performances to grace early TV. Herridge pioneered dozens of innovative productions for the CBS and NBC networks in the 1950s and '60s, ranging from provocative adaptations of works by Shirley Jackson and Tennessee Williams to premier dance collaborations with George Balanchine and Agnes de Mille. He also created impor...
Jessica Lange
Brilliant, beautiful, driven, uncompromising, elusive, iconic—Jessica Lange is one of the most gifted and fascinating actors of her generation. From her rise to fame in Dino De Laurentiis's remake of King Kong (1976) and her Oscar-winning performances in Tootsie (1982) and Blue Sky (1994); to her Emmy-winning work in Grey Gardens (2009) and the American Horror Story series; and her Tony Award–winning turn in Eugene O'Neill's Long Day's Journey into Night (2016), Lange has had a long and illustrious career on-screen and onstage. She has worked with some of the most celebrated names in the business, including Jack Nicholson, Bob Fosse, Martin Scorsese, Kim Stanley, Halle Berry, and Kathy B...
Victor Fleming
This definitive biography chronicles the life and work of the legendary director of Gone With the Wind and The Wizard of Oz. Victor Fleming was the most sought-after director in Hollywood’s golden age, renowned for his work across an astounding range of genres—from gritty westerns to screwball comedies, romances, boddy pictures, and family entertainment. Yet this chameleon-like versatility has resulted in his relative obscurity today—despite his having directed two of the most iconic movies of all time. Fleming is best remembered for Gone With the Wind and The Wizard of Oz, but he directed more than forty films, including classics like Red Dust, Test Pilot, Dr. Jekyll and Mr. Hyde, and Captains Courageous. Fleming created enduring screen personas for Clark Gable, Spencer Tracy, and Gary Cooper, as well as for Ingrid Bergman, Clara Bow, and Norma Shearer—who were among his many lovers. In this definitive biography, Michael Sragow restores the director to the pantheon of great American filmmakers, correcting a major oversight in Hollywood history. It is the dramatic story of a man at the center of the most exciting period in American filmmaking.
