Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Morgan Russell
None
Winold Reiss in New York, 1913-1939
The first volume to bring the ground-breaking career of German-born modernist artist Winold Reiss (1886-1953) to light, focusing on his work in New York, from his arrival in 1913 up to 1940.
Donald Saff
Artist, scholar, innovator, entrepreneur---Donald Saff worked closely for decades with major figures of late twentieth century art, including Jim Dine, Nancy Graves, Roy Lichtenstein, Philip Pearlstein, Robert Rauschenberg, James Rosenquist, and James Turrell. This book charts the history of his collaborations, from the late 1960s when he founded Graphicstudio through the 1990s when he headed Saff Tech Arts, as well as his own career as an artist. It reveals the energy and inspiration that Saff brought to the creation of prints, paintings, and sculptures that pushed boundaries and allowed those with whom he partnered to take risks and ultimately produce Iconic art. --Book Jacket.
Uncle Tom's Cabin as Visual Culture
"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.
Life on Display
Life on Display traces the history of biological exhibits in American museums to demonstrate how science museums have shaped and been shaped by understandings of science and public education in twentieth-century society. Karen Rader and Victoria Cain document how public natural history and science museums’ ongoing efforts to create popular educational displays led these institutions to develop new identities, ones that changed their positions in both twentieth-century science and American culture. They describe how, pre-1945, biological exhibitions changed dramatically--from rows upon rows of specimen collections to large-scale dioramas with push-button displays--as museums attempted to ne...
Reinventing Jewish Art in the Age of Multiple Modernities
Can studying an artist’s migration provide the key to unlocking a “global” history of art? The artistic biography of Michail Grobman and his group, which was active in Israel in the 1970s, open up this vital new perspective and analytical mode.
Byron, Sully, and the Power of Portraiture
Since the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sully's Byron has never before been the subject of scholarly study. Beginning with his discovery of the portrait in 1999 and a 200-year narrative of the portrait's provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad con...
Off the Pedestal
Off the Pedestal is the first book to explore the radical change that occurred in the representation of women immediately after the Civil War. Three critical essays draw on the visual culture of the period to show how postbellum social changes in the United States brought issues of subordination and autonomy to the surface for women in much the same way that it did for blacks. As women began attending college in greater numbers, entering professions previously dominated by men, and demanding greater personal freedom, these "new women" were featured more frequently in the visual arts and in a manner that made it clear that they had ambitions outside the domestic sphere.
Rethinking Postwar Europe
The book "Rethinking Postwar Europe" offers an in-depth insight into the largely unexplored topic of artistic practices in the 1940s and 1950s in Europe which until recently had been obscured by ideologies of the Cold War. Thanks to the authors' diverse methodological backgrounds, the volume presents – for the first time – a comprehensive multilayered narrative, focusing on the complexities and entanglements in the artistic field. Instead of assessing the postwar period in the traditional way as divided by the Iron Curtain, the contributions investigate processes of contact, interaction, dissemination, overlapping, and networking. Consequently, the analysis of a diversified European modernism in both its aesthetic and its socio-political dimension resonates with all the different case studies. In particular, the volume looks at how artists developed, designed and (re)negotiated identities and discourses, and sheds new light on the power of art – and creative powers in general – in a postwar setting of mutilations, losses, and devastations.
Beyond the Kremlin’s Reach?
This volume examines relations between the People’s Republic of China (PRC) and socialist Eastern European states during the Cold War. The chapters take previous findings on government policy and China’s role as a global player in the Cold War game as a starting point to locate the PRC in the socialist world and assess levels of interaction beyond diplomatic and governmental relations. By focusing on transfers and interconnections and the social dimension of governmental interactions, the primary goal of this book is to explore structures, institutions, and spaces of interaction between China and Eastern Europe and their potential autonomy from political conjunctures. The guiding questio...
