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Continuum Contemporaries will be a wonderful source of ideas and inspiration for members of book clubs and readings groups, as well as for literature students.The aim of the series is to give readers accessible and informative introductions to 30 of the most popular, most acclaimed, and most influential novels of recent years. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.
Includes information on abstinence, abstinence focused sex education, African Americans, Asian Americans, birth control, born again virginity, chastity, coming out, conservative Christians, definitions of virginity loss, double standard, Latinos, Latinas, oral sex, race, ethnicity, rape, religion, secondary virginity, stigma, technical virginity, etc.
Beyond the Cloister reveals the literary significance of manuscripts and printed books written by and about post-Reformation Catholic Englishwomen, offering a reassessment of crucial decades in the development of English literary history.
The essays in this book traverse two centuries of queens and their afterlives—historical, mythological, and literary. They speak of the significant and subtle ways that queens leave their mark on the culture they inhabit, focusing on gender, marriage, national identity, diplomacy, and representations of queens in literature. Elizabeth I looms large in this volume, but the interrogation of queenship extends from Elizabeth's historical counterparts, such as Anne Boleyn and Catherine de Medici, to her fictional echoes in the pages of John Lyly, Edmund Spenser, William Shakespeare, Mary Wroth, John Milton, and Margaret Cavendish. Celebrating and building on the renowned scholarship of Carole Levin, Queens Matter in Early Modern Studies exemplifies a range of innovative approaches to examining women and power in the early modern period.
Arguing that the early Royal Society moved science toward racialization by giving skin color a new prominence as an object of experiment and observation, Cristina Malcolmson provides the first book-length examination of studies of skin color in the Society. She also brings new light to the relationship between early modern literature, science, and the establishment of scientific racism in the nineteenth century. Malcolmson demonstrates how unstable the idea of race remained in England at the end of the seventeenth century, and yet how extensively the intertwined institutions of government, colonialism, the slave trade, and science were collaborating to usher it into public view. Malcolmson places the genre of the voyage to the moon in the context of early modern discourses about human difference, and argues that Cavendish’s Blazing World and Swift’s Gulliver’s Travels satirize the Society’s emphasis on skin color.
This book testifies to the growing interest in the many spaces of utopia. It intends to 'map out' on utopian and science-fiction discourses some of the new and revisionist models of spatial analysis applied in Literary and Cultural Studies in recent years. The aim of the volume is to side-step the established generic binary of utopia and dystopia or science fiction and thus to open the analysis of utopian literature to new lines of inquiry. The essays collected here propose to think of utopias not so much as fictional texts about future change and transformation but as vital elements in a cultural process through which social, spatial and subjective identities are formed. Utopias can thus be...
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
"Presents close analysis of eight of Francis Bacon's texts in order to investigate the relation of his religious views to his instauration. Attempts to correct the persistent misconception of Bacon as a secular modern who dismissed religion in order to promote the human advancement of knowledge"--Provided by publisher.
Aphra Behn (1640–1689) and Margaret Cavendish (1623–1673) were two of the boldest women authors of seventeenth century England. They made gestures toward a utopian future involving female emancipation and gender agreement, but depicted a world too complex for simple answers. In the first book-length exploration of the two authors together, Holmesland reevaluates the nature of utopianism in the writings of both, considering a wide range of their literary output. Both writers try to avoid fixed positions, exploring areas in between, seeking mediating solutions through "utopian negotiation." Requiring more equal gender relations, for instance, they challenge patriarchalism; however, while seeking to redefine the heroic code of honor, idealizing gentleness in men, they call for a femininity with heroic resources. Aspiring to such ideals of male-female mutuality, both authors extend this thinking to their view of the body politic.
Definir de facon univalente la notion de mythe et celle d'utopie semble en soi une entreprise tout a fait utopique. Par ailleurs, jumeler les deux notions, celle du mythe et celle d'utopie, releve d'un processus de reflexion qui peut facilement etre a double tranchant: le mythe, construction par excellende de l'imaginaire humain, ne se situe-t-il pas ailleurs que dans un non-lieu? et l'utopie, quant a elle, ne fait-elle pas echo au mythe, a la fois s'en inspirant, le niant et le transformant? Redondance possible, et aussi, parfois, refus des deux domaines a admettre leur interdependance, cheninement parallele surtout et creation commune de ce qui, en fin de compte, s'avere mythe transforme, utopie revistee. Toutefois, mythes et utopies quels que soient la position choisie, le point de vue defendu, semblent faire bon menage, a en juger par ce projet, mavec dix-neuf textes couvrant principalement la litterature contemporaine des femmes, mais puisant parfois aux uvres anterieures qui ont deja prepare le terrain, en offrant des visions d'existences idylliques ne serait-ce que litteraires."