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Explores the history of the Irish in America, offering an overview of Irish history, immigration to the United States, and the transition of the Irish from the working class to all levels of society.
"There is more to Irish than St. Patrick's Day and Guinness. The word Irish conjures an array of images, each with a long history. Who defined Irish? In the twentieth century Ireland, the United States, and Irish America were all invested in representation. Exerting or losing control of an ethnic image had ramifications on both sides of the Atlantic"--
As one of the country's oldest ethnic groups, the Irish have played a vital part in its history. New York has been both port of entry and home to the Irish for three centuries. This joint project of the Irish Institute and the New York Irish History Roundtable offers a fresh perspective on an immigrant people's encounter with the famed metropolis. 37 illustrations.
A historical exploration of the Irish image in popular culture It only took a century or so to segue from phrases like “No Irish Need Apply” to “Kiss Me, I’m Irish” in American popular culture. Indeed, the transformation of the Irish image is a fascinating blend of political, cultural, racial, commercial, and social influences. The Green Space examines the variety of factors that contributed to remaking the Irish image from downtrodden and despised to universally acclaimed. To understand the forces that molded how people understand “Irish” is to see the matrix—the green space—that facilitated their interaction between the 1890s and 1960s. Marion R. Casey argues that, as “...
New York University's Glucksman Ireland House opened a quarter-century ago to foster the study of Ireland and Irish America, and since then has led and witnessed tremendous changes in Irish and Irish-American culture. Alice McDermott writes about her son's Irish awakening; Colum McCann's Joycean essay is a brilliant call to action in defence of immigrants and social justice; Colm Tóibín's first visit to New York coincided with the first St Patrick's Day parade led by a woman; Dan Barry reflects on Frank McCourt's Angela's Ashes; and a new poem by Seamus Heaney written not long before his death. Through deeply personal essays that reflect on their own experience, research and art, some of the best-known Irish writers on both sides of the Atlantic commemorate the House's anniversary by examining what has changed, and what has not, in Irish and Irish-American culture, art, identity, and politics since 1993.
An examination of some of the USA's most controversial museum exhibitions of the 1990s. In its analysis of these episodes of America struggling to redefine itself in the late-20th century, the book draws upon interviews with museum administrators, community activists, curators and scholars.
After all the green beer has been poured and the ubiquitous shamrocks fade away, what does it mean to be Irish American besides St. Patrick’s Day? Who’s Your Paddy traces the evolution of “Irish” as a race-based identity in the U.S. from the 19th century to the present day. Exploring how the Irish have been and continue to be socialized around race, Jennifer Nugent Duffy argues that Irish identity must be understood within the context of generational tensions between different waves of Irish immigrants as well as the Irish community’s interaction with other racial minorities. Using historic and ethnographic research, Duffy sifts through the many racial, class, and gendered dimensio...
A transnational history of the first urban bombing campaign, when Irish nationalists targeted symbolic British public buildings in the 1880s.
In comparison to such regions as the South, the far West, and New England, the Midwest and its culture have been neglected both by scholars and by the popular press. Historians as well as literary and art critics tend not to examine the Midwest in depth in their academic work. And in the popular imagination, the Midwest has never really ascended to the level of the proud, literary South; the cultured, democratic Northeast; or the hip, innovative West Coast. Finding a New Midwestern History revives and identifies anew the Midwest as a field of study by promoting a diversity of viewpoints and lending legitimacy to a more in-depth, rigorous scholarly assessment of a large region of the United States that has largely been overlooked by scholars. The essays discuss facets of midwestern life worth examining more deeply, including history, religion, geography, art, race, culture, and politics, and are written by well-known scholars in the field such as Michael Allen, Jon Butler, and Nicole Etcheson.
Examining an impressive length of Irish cultural history, from 1700–1960, Reading the Irishwoman explores the dynamisms of cultural encounter and exchange in Irish women's lives. Analyzing the popular and consumer cultures of a variety of eras, it traces how the circulation of ideas, fantasies, and aspirations shaped women's lives both in actuality and in imagination. The authors uncover a huge array of different representations that Irish women have been able to identify with, including heroine, patriot, philanthropist, actress, singer, model, and missionary. By studying this diversity of viable roles in the Irish woman's cultural world, the authors point to evidence of women's agency and aspiration that reached far beyond the domestic sphere.