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Inspired by a marionette show he saw, C.S. Forester, a novelist and theatre lover, decided to create his own puppet theatre at home. In Marionettes at Home, first published in 1936, he shares his experience and enthusiasm for amateur puppeteering and takes the reader step-by-step through the stages of creating one's own theatre; from stage construction and puppet making, to acting and production. Written with passion and sense of humour Marionettes at Home is a little gem that anyone interested in the theatre and puppeteering history would enjoy.
Making and Manipulating Marionettes is a comprehensive guide to the design, construction and control of string puppets, a craft and performance art that has fascinated audiences for over two thousand years. Topics covered include: An introduction to the marionette tradition and the principles and practicalities of marionette design Advice on materials and methods for carving, modelling and casting puppet parts Step-by-step instructions for the construction of human and animal marionettes using traditional techniques and latest materials Detailed explanations for marionette control, stringing and manipulation Secrets for achieving a wide range of special effects and traditional acts, tricks and transformations
"Highly recommended." — Library Journal Marionettes, those beguiling, animated little actors on strings, have endeared themselves to puppet show lovers for generations. Constructed to approximate most nearly the movement and appearance of humans and animals, the jointed figures appear today in a variety of places — in the theater, motion pictures, schools, and even as an advertising medium. This instructive and engaging guide, written by professionals with a passion for their art, provides everyone from beginners to veteran performers with all the information needed to create these beloved figures and the stages on which they perform. Enhanced with more than 200 sequenced photographs and diagrams, the comprehensive manual contains valuable advice for making heads, bodies, wigs, and puppet clothing and includes entire chapters on how to manipulate the puppet, set up and furnish a stage, light scenes, and even how to build miniature pieces of furniture. A production chapter tells how to incorporate music, put on sketches, parody celebrities, and arrange programs. There's even a complete script for Beauty and the Beast, as well as a section on the history of puppeteering.
Instructions for constructing and costuming marionettes, stringing them for one or two hand control, manipulating them, and staging a show.
While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny. Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for chil...
This vintage book contains an fantastic treatise on puppets and marionettes of the world, looking at the history of puppets and puppet shows enjoyed in Europe, England, America and many other countries. With authentic photographs and a wealth of fascinating information from ancient puppets to instructions for construction, this volume will be of considerable utility to both puppeteers and historians alike. Contents include: "Puppets of Antiquity", "Oriental Puppets", "Puppets of Italy and Southern Europe", "Puppet Shows of Germany", "Puppetry in England", "Marionettes in America", "Toy Theatres and Puppet Plays for Children", "A plea for Polichinelle", "Behind the Scenes", and "Construction of the Marionette Stage". Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction on puppets and marionettes.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1920 edition. Excerpt: ... BIBLIOGRAPHY Bad1n, Adolphe. Les Marionettes de Maurice Sand. L'Art, 1885. Ca1ne, W1ll1am. Guignols in the Luxembourg. Oxford and Cambridge Review, 1910. Calthrop, A. An Evening with the Marionette. The Theatre, 1884. Calv1, Em1l1o. Marionettes of Rome. The Bellman, 1917. Chambers, E. K. The Mediaeval Stage. Vol. II. Coll1er, John Payne. The Tragical Comedy of Punch and Judy. Cra1g, Gordon. Articles in "The Mask" and "The Marionette." Curt1s, Elnora Wh1tman. Dramatic I...