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The Paradoxes of Nationalism
The Paradoxes of Nationalism explores a critical stage in the development of the principle of national self-determination: the years of the French Revolution, during which the idea of the nation was fused with that of self-government. While scholars and historians routinely cite the French Revolution as the origin of nationalism, they often fail to examine the implications of this connection. Chimène I. Keitner corrects this omission by drawing on history and political theory to deepen our understanding of the historical and normative underpinnings of national self-determination as a basis for international political order. Based on this analysis, Keitner constructs a framework for evaluating nation-based claims in contemporary world politics and identifies persistent theoretical and practical tensions that must be taken into account in contemplating proposals for "civic nationalism" and alternative, nonnational models.
The Internalized Revolution
This book, originally published in 1992, traces the discourse on the French Revolution in Germany and its contributors investigate the processes and results of adopting or rejecting the values of the French Revolution in Germany and reinterprets its documents in terms of their internalization. One of the questions discussed is whether the French Revolution is part of Germany’s progressive tradition, that is, whether it has been repressed or whether it constitutes a viable counter-discourse within the political culture. The first successful revolution in Germany – the ‘Velvet Revolution’ of Autumn 1989 does not fit the definition of ‘classic revolutions, but it ended in a change of power in Germany and in that respect, this book is an anatomy of German political consciousness before 1989.
Theatre and Citizenship
Shaped by political concerns of today, this is an informed but provocative take on theatre history and theatre's social function.
The Biopolitics of Embryos and Alphabets
In recent decades there has been an explosion in work in the social and physical sciences describing the similarities between human and nonhuman as well as human and non-animal thinking. In this work, Ruth Miller argues that these types of phenomena are also useful models for thinking about the growth, reproduction, and spread of political thought and democratic processes. By shifting her level of analysis from the politics of self-determining subjects to the realm of material environments and information systems, Miller asks what might happen if these alternative, nonhuman thought processes become the normative thought processes of democratic engagement.
The Lure of the Sea
Corbin argues that with few exceptions people living before the eighteenth century knew nothing of the attractions of the coast, the visual delight of the sea, the desire to brave the force of the waves or to feel the coolness of sand against the skin. The image of the ocean in the popular consciousness was coloured by Biblical and mythical recollections of sea monsters, voracious whales, and catastrophic floods. It was perceived as sinister and unchanging, a dark, unfathomable force inspiring horror rather than attraction. These associations of catastrophe and fear in the minds of Europeans intensified the repulsion they felt towards deserted and dismal shores.
French Emigration to Great Britain in Response to the French Revolution
This book examines diverse encounters between the British community and the thousands of French individuals who sought haven in the British Isles as they left revolutionary and Imperial France. This painstaking research into the emigrant archival and memorial presence in Britain uncovers a wealth of underused and alternative sources on this controversial population displacement. These include open letters and classified advertisements published in British newspapers, insurance contracts, as well as lists of addresses and passports drawn up by local authorities. These sources question the construction by British loyalists and French émigré elites of a stereotyped emigrant figure and their u...
Georg Forster
“Marvelous. . . . Wonderfully imaginative. . . . Sparkling.”—Wall Street Journal “Stunning. . . . Read this book: in equal measure it will give you hope and trouble your dreams.”—Laura Dassow Walls, author of Henry David Thoreau: A Life and Passage to Cosmos: Alexander von Humboldt’s Shaping of America Georg Forster (1754–94) was in many ways self-taught and rarely had two cents to rub together, but he became one of the most dynamic figures of the Enlightenment: a brilliant writer, naturalist, explorer, illustrator, translator—and a revolutionary. Granted the extraordinary opportunity to sail around the world as part of Captain James Cook’s fabled crew, Forster touched ic...
Bluestocking Feminism and British-German Cultural Transfer, 1750-1837
An examination of British and German processes of cultural transfer, as spearheaded by feminist reformists, from 1714 to 1837
The French Revolution and Social Democracy
Beyond France’s own national historiography, the French Revolution was a fundamental point of reference for the nineteenth-century socialist movement. As Jean-Numa Ducange tells us, while Karl Marx never wrote his planned history of the Revolution, from the 1880s the German and Austrian social-democrats did embark on such a project. This was an important moment for both Marxism and the historiography of the French Revolution. Yet it has not previously been the object of any overall study. The French Revolution and Social Democracy studies both the social-democratic readings of the foundational revolutionary event, and the place of this history in militant culture, as seen in sources from party educationals, to leaflets and workers’ calendars. First published in 2012 as La Révolution française et la social-démocratie. Transmissions et usages politiques de l’histoire en Allemagne et Autriche, 1889–1934 by Presses Universitaires de Rennes in 2012.
Dramatic Justice
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it chal...
