You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A groundbreaking academic treatment of Fellini, provides new, expansive, and diverse perspectives on his films and influence The Wiley Blackwell Companion to Federico Fellini presents new methodologies and fresh insights for encountering, appreciating, and contextualizing the director’s films in the 21st century. A milestone in Fellini scholarship, this volume provides contributions by leading scholars, intellectuals, and filmmakers, as well as insights from collaborators and associates of the Italian director. Scholarly yet readable essays explore the fundamental aspects of Fellini’s works while addressing their contemporary relevance in contexts ranging from politics and the environmen...
A Companion to Martin Scorsese A Companion to Martin Scorsese “This valuable book brings the exceptional scale of Martin Scorsese’s film work into clear view. His achievements are monumental, and the essays collected in this work provide wonderfully detailed and vivid analyses of his oeuvre. A comprehensive study of the most exciting filmmaker working today.” Robert Burgoyne, University of St Andrews A Companion to Martin Scorsese, Revised Edition is a comprehensive collection of original essays assessing the career of one of America’s most prominent contemporary filmmakers. The first reference work of its kind, this book contains contributions from influential scholars in North Amer...
Every artist has a dream project an enterprise that he or she has continuously taken up but never completed. Via archived notes and drafts, a retrospective reconstitution of such projects can serve as a key for better understanding the authors artistic corpus. The present study reaches out to the authorship of Paul Claudel, Jean Genet, and Federico Fellini. Claudel deferred and never completed the fourth segment of his Trilogie des Coufontaine. The only indication of the existence of this prospective fourth part of the theatre sequence is a brief entry in his Journal. In 1949, he began writing a third version of his first great work Tête d'Or. Like the unfinished fourth section that was to ...
Introduction: what is wrong with Fellini? -- Fellini, Dante, and The gaze of Medusa -- Fellini and Rossellini: the "trilogy of faith" (1946-1950) -- La dolce vita or how I learned to stop worrying and love my sins -- 8 1/2 or trouble in paradise -- Fellini-Satyricon I: an archaeology of silence -- Fellini-Satyricon II: "seek out the ancient mother" (Aeneid III, 96) -- Roma: barbarians inside the gates -- From City of women to The voice of the moon: fall of the goddess.
This book explores ways in which screen-based storyworlds transfix, transform, and transport us imaginatively, physically, and virtually to the places they depict or film. Topics include fantasy quests in computer games, celebrity walking tours, dark tourism sites, Hobbiton as theme park, surf movies, and social gangs of Disneyland. How physical, virtual, and imagined locations create a sense of place through their immediate experience or visitation is undergoing a revolution in technology, travel modes, and tourism behaviour. This edited collection explores the rapidly evolving field of screen tourism and the affective impact of landscape, with provocative questions and investigations of social groups, fan culture, new technology, and the wider changing trends in screen tourism. We provide critical examples of affective landscapes across a wide range of mediums (from the big screen to the small screen) and locations. This book will appeal to students and scholars in film and tourism, as well as geography, design, media and communication studies, game studies, and digital humanities.
L’Associazione Italiana per il Patrimonio Archeologico Industriale (AIPAI), in occasione dei suoi 25 anni, ha promosso i Secondi Stati Generali del Patrimonio Industriale. Per tracciare un bilancio ed elaborare strategie e visioni ha posto le condizioni per l’incontro tra gli addetti ai lavori e il confronto tra i molteplici ambiti operativi, di ricerca e istituzionali coinvolti. Ci si è riuniti a Roma e a Tivoli con la consapevolezza che il primo lascito dell’età industriale siamo noi, la nostra società con i suoi pregi e le sue contraddizioni, le incredibili conquiste degli ultimi secoli. La risposta è stata ampia e tra i numerosi contributi presentati in questo volume, si posson...
ROMA non è un "omaggio affettuoso" alla città, un album di ricordi o una cartolina nostalgica, ma il film di Fellini che più di altri ci trascina in una Roma apocalittica, caotica, da fine del mondo: l'ingorgo sul Grande Raccordo Anulare, le rovine negli scavi della metropolitana, il défilé di moda ecclesiastica, la scorribanda notturna dei motociclisti, sono scene che fanno ormai parte dell'immaginario della città e che all'alba degli anni Settanta intercettano, nella chiave dell'invenzione felliniana, la sua progressiva trasformazione in un magma metropolitano sempre più ingestibile. Attraverso una vasta documentazione e lo studio di materiali d'archivio, il volume analizza il film alla luce dei discorsi sul mito e il disfacimento di Roma che da sempre attraversano il carattere nazionale e l'identità italiana.
The first book-length study of meta-phenomena in film and television series.