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Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work through a wide range of case studies. The volume considers how and why principal modes and agendas in Conceptual art in the 1960s and 1970s necessitated new engagements with performance, as well as expanded notions of theatricality. In doing so, this book reviews and challenges prevailing histories of Conceptual art through critical frameworks of performativity and performance. It also considers how Conceptua...
The Spirit of Colin McCahon provides a vivid historical contextualisation of New Zealand’s premier modern artist, clearly explaining his esoteric religious themes and symbols. Via a framework of visual rhetoric, this book explores the social factors that formed McCahon’s religious and environmental beliefs, and justifications as to why his audience often missed the intended point of spiritual his discourse – or chose to ignore it. The Spirit of Colin McCahon tracks the intricate process by which the artist’s body of work turned from optimism to misery, and explains the many communicative techniques he employed in order to arrest suspicion towards his Christian prophecy. More broadly,...
Artist and writer Stephanie Radok possesses a unique international perspective. For over twenty years she has written about and witnessed the emergence of contemporary Aboriginal art and the responses of Australian art to global diasporas. In 'An Opening: Twelve love stories about art', Stephanie Radok takes us on a walk with her dog and finds that it is possible to re-imagine the suburb as the site of epiphanies and attachments. 'Art wants to enter our lives, yet it is a rare art writer who lets it do that. Writing with full personal disclosure, Stephanie Radok lets us in on her secret. Art c.
Passionate, witty, and erudite, these essays by a radical curator describe how museums approach their sometimes conflicting missions to sponsor scholarship, generate popular appeal, and claim social significance. This analysis includes discussions of art and ethnology, the failure of late-Modernist art history, the construction of official culture, the intellectual history of European exploration in the Pacific, problems with cultural studies of the Pakeha Maori, and the conservation of archives and narratives.
Those who leave their homelands, either under duress or by design, will see them in a different light than those who have stayed put. Michael Jackson argues that the perspective of the expatriate may be compared with what ethnographers call ‘stranger value’. In moving between detachment and deep immersion, this bifocal perspective implicates a bicultural one, which is why Jackson has recourse to Māori traditional knowledge, not in order to impose a Eurocentric interpretation on them, but to show how cross-cultural conversations and interactions can promote new forms of sociality and coexistence.
Six Stories is a radically new look at the intersection of science and art through “failed” images.
Having oneself shot. Putting out fires with the bare hands and feet. Biting the body and photographing the marks. Sewing one's own mouth shut--all in front of an audience. What do these kinds of performances tell us about the social and historical context in which they occurred? Fascinating and accessibly written, CONTRACT WITH THE SKIN addresses the question in relation to psychoanalytic and legal concepts of masochism. 34 photos.
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
During the 1960s & 1970s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world. 'In & Out Of Amsterdam' presents more than 120 works - including works on paper, installations, photographs & films - by artists who were part of this remarkable creative culture.
Wrestling With God tells the story of the man who came to personify New Zealand’s debates over the role and meaning of religious belief in increasingly secular age. In the public eye ever since his famed heresy trial in 1967, Lloyd Geering describes his journey from a Depression era childhood, through working as a young Presbyterian minister, to becoming Victoria University’s foundation professor of religious studies and a bestselling author. Showing the rigorous commitment to truth and concern for others that have characterised his work, Geering also sets out his views on the spiritual life of Western culture in the early twentieth-first century, and the centrality of the human relationship with an endangered planet.