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Historical Painting Techniques, Materials, and Studio Practice
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world pro...
Preparing for the Worst, Planning for the Best: Protecting our Cultural Heritage from Disaster
In July 2003 a special IFLA conference was held in Berlin, devoted to the preparedness of library collections in the face of 'man made' disasters (conflict, war) and/or natural disasters (earthquakes, floods, hurricanes). A panel of international experts discussed these issues and exchanged views. Papers focused on both national policy planning and on the institutional level, with an emphasis on what has been shown to work on the basis of practical experience in libraries and other sectors: In addition, case studies, on a worldwide scale, are presented. This book contains the proceedings of that conference.
American Painters on Technique
"How paintings were made--in the most literal sense--is an important but largely unknown aspect of the story of American art. This book, like the authors' previous volume on American painting techniques from the colonial period to 1860, is based on descriptions of the materials and methods that painters used, as found in artists' notebooks, painting manuals, magazines, suppliers' catalogues, letters, diaries, books, and interviews. In interpreting this evidence, the authors have made use of their experience as conservators who have treated many important American paintings."--Book jacket.
