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Scuffer
Danny's skint, no change there. His girlfriend Amy's left him, the flat's a mess, got nothing to smoke. The only thing different today is that he's going to get his legs broken. Danny owes some bad people money. If he doesn't come up with £800 by tonight a lady called Cathy will be calling with a baseball bat. He can't beg, can't borrow and isn't much cop at stealing so Danny, Amy and her Dad set off on a quest through Leeds to get him the dosh. From Beeston to Briggate, casino to karaoke, with Cathy and a psycho called Cauldron in pursuit, will Danny get his happy ending or is he just the no-hope Scuffer other people see? Scuffer opened at the West Yorkshire Playhouse in March 2006. Mark Catley's acclaimed plays Sunbeam Terrace and Crap Dad also premiered at the Playhouse, and are both published by Oberon Books.
Crap Dad
When Paul meets Marie outside the headmaster’s office it’s hardly love at first sight. More like “what you playing at you frigging psycho?” And when the two sixteen-year-olds find out Marie is pregnant, things get a little dicey. But hindsight is a wonderful thing, and as a grown up Paul waits to meet his children for the first time it’s time for some serious thinking. “I drink too much, my toilet looks like a bomb site and I eat crisps for breakfast. I’m not fit to be someone’s father”.
Sunbeam Terrace
You're an agoraphobic drug dealer who suffers panic attacks. Not good for business. Enter a teenage boy with a dangerous ambition, a lapdancer who'll do anything for a hit and a hard man on a mission. Could the day get any darker on Sunbeam Terrace? Mark Catley was born in Leeds and grew up within sight of Beeston's Sunbeam Terrace. He was the first writer commissioned by the Playhouse as part of the BBC's New Writing scheme, Northern Exposure. Sunbeam Terrace was performed at the West Yorkshire Playhouse, Leeds, in Spring 2003.
The Kaleidoscope British Christmas Television Guide 1937-2013
A Guide to British television programmes shown at Christmas time, throughout the years.
The Newspapers Handbook
This new edition of The Newspapers Handbook presents an enlightening examination of an ever-evolving industry, engaging with key contemporary issues, including reporting in the digital age and ethical and legislative issues following the hacking scandal to display a comprehensive anatomy of the modern newsroom. Richard Lance Keeble and Ian Reeves offer readers expert practical advice, drawing on a wide range of examples from print and digital news sources to illustrate best practice and the political, technological and financial realities of newspaper journalism today. Other key areas explored include: the language of news basic reporting the art of interviewing feature writing the role of social media in reporting investigative reporting court reporting reporting on national and local government guidance on training and careers for those entering the industry.
Parliamentary Papers
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The Dramatic Moment of Fate
Sherlock Holmes has been a beloved character from his first story, and his mystique endures to the modern age in print, on screen - but he has had a long life in the theatre as well. Where did it begin? What are the themes, stories, and characterizations that make his stage presence unique and just as enduring? Follow his trail on the stage as author Alexandra Kitty curates his fascinating theatrical world throughout the decades: from unlikely Off-Broadway musicals to lauded slapstick comedies, to more traditional and gripping portrayals of his iconic stories and new incarnations. How does the world's greatest detective fare in the theatre? The results are always shocking, but never disappointing.
Racing Calendar
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Sherlock Holmes from Screen to Stage
This book investigates the development of Sherlock Holmes adaptations in British theatre since the turn of the millennium. Sherlock Holmes has become a cultural phenomenon all over again in the twenty-first century, as a result of the television series Sherlock and Elementary, and films like Mr Holmes and the Guy Ritchie franchise starring Robert Downey Jr. In the light of these new interpretations, British theatre has produced timely and topical responses to developments in the screen Sherlocks’ stories. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. This study traces the recent history of Sherlock Holmes in the theatre, about which very little has been written for an academic readership. It argues that the world of Sherlock Holmes is conveyed in theatre by a variety of games that activate new modes of audience engagement.
