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Usually related to feelings of overwhelming grandeur, irresistible power, lofty emotion or simple awe, the sublime is a term impossible to define. If it has any definition, it is that which exceeds description. In exploring this complex yet crucial concept, Philip Shaw looks in turn at: - the legacy of classical theories of the sublime - Edmund Burke's and Immanuel Kant's eighteenth-century contributions to debates around the term - romantic notions of sublimity - the postmodern and avant-garde sublime - politicisation of the concept by contemporary critical theorists. A remarkably clear study of what is in its essence a term near-impossible to pin down, this guide is essential reading for students of literature, critical and cultural theory.
A groundbreaking and trendsetting collection of essays introducing a new interdisciplinary area of theological studies. Usable as a key text for modules in intercultural theology, mission studies, Black Theology and Pentecostal Studies at upper undergraduate and M level.
These provocative essays explore the unwritten, often unacknowledged codes, conventions, and ideologies overseeing the evolution and current practice of English as a "discipline." The first section of the book offers historical perspectives: how "composition" became distinguished from "literature," how key intellectuals shaped the discipline, and how various specialties—Renaissance literature, American literature, "theory"—became subfields. The second section focuses on how certain aesthetic categories of art and universal experience persist today in the actual teaching and writing of "English." While it is fashionable to say that we are living in the age of poststructuralism, or that li...
Reprint of the original, first published in 1868.
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Schizophrenia has been one of psychiatry's most contested diagnostic categories. The Sublime object of Psychiatry studies representations of schizophrenia across a wide range of disciplines and discourses: biological and phenomenological psychiatry, psychoanalysis, critical psychology, antipsychiatry, and postmodern philosophy.
The great industrial cities of Manchester and Liverpool dominate the southern band of Lancashire. Manchester's buildings range from its little-known medieval cathedral, housing some of the finest medieval wood carving in England, to imposing factories and civic and commercial monuments, among which Waterhouse's great Gothic Town Hall is the supreme example. Liverpool's two famous twentieth-century cathedrals watch over a no less proud city, whose distinctive mixture of toughness and display appear variously at the early Victorian Albert Dock, its sumptuous contemporary St George's Hall, and the great commercial parade alongside the Mersey. Towns such as Bury and Rochdale, showing the same civic endeavour on a smaller scale, stud a landscape that rises into dramatic moorland country to the east.