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Empire Building
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Architecture--art Or Profession?
Architects are perhaps the most important people involved in shaping the built environment, so the ideas they receive in the course of their training are a major influence upon the buildings and cities of the future. Crinson and Lubbock present a bold new perspective on the evolution of the British architect from Wren to post-modernism and beyond, and provide the first general history of architectural education, making an important contribution to current debates. The Prince of Wales' views on modern architecture and the need for a change in the way architects are trained, has attracted enormous support from the public, resulting in architects and their training being under the spotlight more than ever. The drive to define and promote the architectural profession that began in the eighteenth century and reached its apogee in the 1960s has now begun to unravel. How has this happened? What relation does an architect's education have to the built environment? What lessons are there from the past? This book will be of interest to students, lecturers and all those interested in the debates around contemporary architecture.
Urban Memory
This multi-authored work considers the increasingly vital concept of urban memory, approaching the issue from different perspectives across art, culture, architecture and human consciousness, with studies on contemporary urban spaces worldwide.
Modern Architecture and the End of Empire
This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism, Mark Crinson looks at the architecture of the last years of the British Empire, and during its prolonged dissolution and aftermath. Taking a number of case studies from Britain, Ghana, Hong Kong, Iran, India and Malaysia, he investigates the ambitions of the people who commissioned the buildings, the training and role of architects, and the interaction of the architecture and its changing social and cultural contexts. This book raises questions about the nature of modernism and its roles that look far beyond empire and towards the post-imperial.
Rebuilding Babel
Much of modernist architecture was inspired by the emergence of internationalism: the ethics and politics of world peace, justice and unity through global collaboration. Mark Crinson here shows how the ideals represented by the Tower of Babel - built, so the story goes, by people united by one language - were effectively adapted by internationalist architecture, its styles and practices, in the modern period. Focusing particularly on the points of convergence between modernist and internationalist trends in the 1920s, and again in the immediate post-war years, he underlines how such architecture utilised the themes of a cooperative community of builders and a common language of forms.The 'In...
Stirling and Gowan
Introduction -- Formulas, free plans, and a Piranesian city -- Third generation -- Junk, bunk, and tomorrow -- The cube and the pile-up -- The uses of nostalgia -- The mechanical hobgoblin -- Aftermath.
Alison and Peter Smithson
This is the first overview of the career of Alison and Peter Smithson, the most controversial yet most widely-influential of post-war architectural practices. From their first youthful project, the school at Hunstanton, to their final works, they epitomised the idea of the avant-garde architect, and were strongly engaged with artists and critics and with groups and tendencies in Britain and beyond. 0Structured thematically and chronologically, the book gives a coherent and compact narrative of the Smithsons' work and ideas. As well as all of the major buildings - including the Economist complex, the Garden building at St Hilda's College, and the Robin Hood Gardens estate - the book also disc...
Orientalism's Interlocutors
DIVA collection of essays that develop ways of doing postcolonial studies in art history./div
The Architecture of Art History
What is the place of architecture in the history of art? Why has it been at times central to the discipline, and at other times seemingly so marginal? What is its place now? Many disciplines have a stake in the history of architecture – sociology, anthropology, human geography, to name a few. This book deals with perhaps the most influential tradition of all – art history – examining how the relation between the disciplines of art history and architectural history has waxed and waned over the last one hundred and fifty years. In this highly original study, Mark Crinson and Richard J. Williams point to a decline in the importance attributed to the role of architecture in art history ove...
Cultural Identities and the Aesthetics of Britishness
This book examines British imperial, colonial and postcolonial national identities within their political and social contexts. By considering the export, adoption and creation of such cultural identities, these essays show how nationhood and nationalism are self-consciously defined tools designed to focus and inspire loyalty. The contributors present these ideas with particular reference to English cultural identity and its interaction with the "Empire". They examine the national, imperial and colonial aesthetic--how architecture, landscape, painting, sculpture and literature were used, appropriated and re-appropriated in the furtherance of social and political agendas, and how this impacted on the making of "Britishness" in all its complexities. It is demonstrated that not only did the dominant aesthetic culture reinforce the dominant political and social ideology, it also re-presented and re-constructed the notion of British national identity.
