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A favorite was Lou "The Mad Russian" Novikoff, who won the Triple Crown in 1940 (batting .343, with 171 RBIs and 41 homers) while playing for the league runner-up Los Angeles Angels - thanks in no small part to his wife, Esther, who could be heard from her box seat behind home plate verbally abusing Lou during each of his appearances at the plate. Another was Hollywood Stars player-manager Bobby Bragan, who was tossed from a game in 1953 against the rival San Diego club after slamming his chest protector to the ground to protest what he considered some bad calls by the umpire. Ordered to pick up his equipment, Bragan refused and instead proceeded to remove his shin guards, mask, glove, and cap. Banished to the dugout, he added his uniform top, shoes, socks, and a few towels to the pile. Bragan and the Stars survived the ensuing fine and suspension to win the pennant handily.
A fascinating look at how America's favorite sport has both reflected and shaped social, economic, and
"An account of the desegregation of baseball's Pacific Coast League, the first American League of any sport to desegregate all of its teams"--
With the rise of stars such as Hideo Nomo, Ichiro Suzuki, and now Daisuke Matsuzaka, fans today can easily name players from the island country of Japan. Less widely known is that baseball has long been played on other Pacific islands, in pre-statehood Hawaii, for instance, and in Guam, Samoa and the Philippines. For the multiethnic peoples of these U.S. possessions, the learning of baseball was actively encouraged, some would argue as a means to an unabashedly colonialist end. As early as the deadball era, Pacific Islanders competed against each other and against mainlanders on the diamond, with teams like the Hawaiian Travelers barnstorming the States, winning more than they lost against college, semi-pro, and even professional nines. For those who moved to the mainland, baseball eased the transition, helping Asian Pacific Americans create a sense of community and purpose, cross cultural borders, and--for a few--achieve fame.
The Hollywood Stars were created in 1926, when the Salt Lake City franchise of the Pacific Coast League was transferred to the greater Los Angeles area. To avoid confusion with the resident Los Angeles Angels, the new ballclub was called Hollywood. It was a wise choice of names. The movie capital had a glamour that was soon attached to the Stars and created an interest wherever they played. But the Hollywood story is actually one of two separate entities. The first operated from 1926 to 1935 and played at Wrigley Field as a tenant of the Angels. When a dispute arose in 1935 over a proposed increase in rent, owner Bill Lane moved his team to San Diego. After a hiatus of two years, the second incarnation was created in 1938 when the Mission Reds of San Francisco moved to Southern California. They moved into their new park, Gilmore Field, in 1939 and remained there through 1957, when the Dodgers moved to Los Angeles. Hollywood won pennants in 1949, 1952, and 1953 and was the team of choice for the movie world.
Berra, Rizzuto, Lasorda, Torre, Conigliaro, Santo, Piazza. Casual baseball fans?in fact, even many nonfans?know these names, not as Italian Americans, but as some of the most colorful figures in Major League Baseball. Ever since future Hall of Famer Tony Lazzeri became a key part of the Yankees? Murderers? Row lineup of 1926, Italian Americans have been among the most prominent and intriguing players in the game. The first comprehensive study of the topic, Beyond DiMaggio is also a social history of baseball, tracing the evolution of American perceptions toward those of Italian descent as it chronicles the baseball exploits that influenced those perceptions. ΓΈ Lawrence Baldassaro tells the ...
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Nikkei Baseball examines baseball's evolving importance to the Japanese American community and the construction of Japanese American identity. Originally introduced in Japan in the late 1800s, baseball was played in the United States by Japanese immigrants first in Hawaii, then San Francisco and northern California, then in amateur leagues up and down the Pacific Coast. For Japanese American players, baseball was seen as a sport that encouraged healthy competition by imposing rules and standards of ethical behavior for both players and fans. The value of baseball as exercise and amusement quickly expanded into something even more important, a means for strengthening social ties within Japane...
Baseball has joined America and Japan, even in times of strife, for over 150 years. After the "opening" of Japan by Commodore Perry, Sayuri Guthrie-Shimizu explains, baseball was introduced there by American employees of the Japanese government tasked with bringing Western knowledge and technology to the country, and Japanese students in the United States soon became avid players. In the early twentieth century, visiting Japanese warships fielded teams that played against American teams, and a Negro League team arranged tours to Japan. By the 1930s, professional baseball was organized in Japan where it continued to be played during and after World War II; it was even played in Japanese Ameri...
Since Crossing Sidelines, Crossing Cultures was originally published in 2000, new findings in Asian Pacific American sports have come to light. Moreover, Americans of Asian Pacific ancestry have made the sports world incredibly more exciting than before. Crossing Sidelines, Crossing Cultures tells intriguing tales of athletes, now often forgotten-such as aquatic legend Duke Kahanamoku, diving gold medalist Vicki Manalo, courageous female golfer Jackie Liwai Pung, and baseball pioneer Buck Lai. It explores how Asian Pacific Americans have asserted a vibrant, joyful sense of community through sports, while encountering racism and nativism. Since 2000, talented athletes of Asian Pacific ancestry have emerged-athletes such as the great Tiger Woods, but also Tim Lincicum, Troy Polamalu, Bryan Clay, Natasha Kai, and Logan Tom. These athletes have chipped away at prevailing stereotypes, and their stories, too, will be told in this second edition of Crossing Sidelines, Crossing Cultures.