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Poetry. Mark Francis Johnson's CAN OF HUMAN HEAT takes the traditional worldbuilding function of speculative writing and distorts it around its most far-flung, self-reflexive poles. It isn't a book about a fantasy world or alternative timeline; it reads instead like the appendical traces of one sent back across dimensions--back-stories, info-dumps, and other explanatory narrative niceties are dispensed with. At times hazily suggesting the romance involutions of Sidney's Old Arcadia, at times refashioning tropes of the fantasy or nautical adventure novel into a kind of absurdist underclass siege diary, CAN OF HUMAN HEAT presents a landscape that is neither utopian nor dystopian but instead so...
Poetry. Disaster and delight collide in this quick-witted collection, HOW TO FLIT. Distorted advertisements, headlines, and familiar expressions pepper the pages, as the poems endlessly calculate--"In fifty years the export market for tomorrow's revels imagine!" Maxims ("Consolation helps those in trouble, if speaker is trustworthy") are quickly converted into commodity ("(t-shirt idea)"), while basic needs are left unmet, bodies left untended.
This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Memoirs of a Midget is a surrealistic novel and told in the first person by Miss M., who is playfully referred to as "Midgetina" by her faithless friend, Fanny. Hers is the story of a person who, though at home in nature and literature, is physically, spiritually, and intellectually out of place in the world. Notwithstanding her stature Miss M.'s intellect is large and her perceptions preternaturally sharp. Most of the book's narrative covers the events of the twelve-month period between Miss M.'s twentieth and twenty-first years as she attempts to make her way in the world alone after the death of her parents. The book was published to high praise in 1921 and in that year received the James Tait Black Memorial Prize for fiction. Rebecca West later included Memoirs of a Midget on a list of the "best imaginative productions of the last decade in England".
Introduction: bringing the body to mind -- Cognitive science and Dewey's theory of mind, thought, and language -- Cowboy bill rides herd on the range of consciousness -- We are live creatures: embodiment, American pragmatism, and the cognitive organism / Mark Johnson and Tim Rohrer -- The meaning of the body -- The philosophical significance of image schemas -- Action, embodied meaning, and thought -- Knowing through the body -- Embodied realism and truth incarnate -- Why the body matters
“A riveting scientific detective story” (The Washington Post) by two Pulitzer Prize–winning journalists who chronicle a young Wisconsin boy with a never-before-seen disease and the doctors who save his life by taking a new step into the future of medicine. In this landmark medical narrative, Pulitzer Prize-winning journalists Mark Johnson and Kathleen Gallagher share the story of Nic Volker, the first patient to be saved by a bold breakthrough in medicine—a complete gene sequencing, aimed at finding the cause of an otherwise undiagnosable illness. At just two years old, Nic experienced a brief flicker of pain that signaled the awakening of a new and deadly disease, one that would hur...
Crisis and Criticism is a series of interventions from 2009 to 2021 engaging with the literary, cultural and political responses to the capitalist crisis of 2007–8. Challenging the tendency to treat crisis as natural and beyond human control, this book interrogates our cultural understanding of crisis and suggests the necessity of ruthless criticism of the existing world. While responses to crisis have retreated from the critical, choosing to inhabit apocalyptic fantasies instead, only a critical understanding of the causes of crisis within capitalism itself can promise their eventual overcoming.
agri-tech R&D heroics is a small collection of 23 heroic ecopoems that surface as the result of certain esoteric record-keeping practices. It was initially the second part in a palimpsestic re-telling of the Parzival romance, which no longer exists. Each poem offers a unique, albeit symbiotic, expression of patented eternal wounds that can only be healed by the weapon that caused them (as per Grail mythology). In this case, the "weapon" is generalized as the power gained via the dynamic use of the logos in metadata description and inventory management wielded by multinational corporations (e.g., Monsanto and Bayer). It folds out into a print by Aaron Gemmill and is designed by Jonathan Gorman.
The Jargon Society, a boundary-pushing publisher of poetry and experimental writing, was founded by Jonathan Williams (1929–2008) in 1951. Jargon quickly gained a reputation as the home of the poetic and literary avant-garde, including noted midcentury poets like Charles Olson and Lorine Niedecker. Williams himself looms large in this story as the publisher at Jargon until his death, making this book as much about his life and work as the press he founded, which today operates through the Black Mountain College Museum in Asheville, North Carolina. Andy Martrich authors this story in a manner befitting Jargon's ethos of literary experimentation by focusing on the books the Society cataloged...
"Johnson pursued all phases of his music with unmatched skill and fervor, even to the detriment of his health. At the time of his untimely death in 1844, Johnson had become the most prolific and widely traveled American composer, bandmaster, and performer in our nation's first century."--Jacket.