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Starting with the celebrated TV fight between Ken Russell and Alexander Walker and ending with his own admission to Steven Spielberg of a major error of judgement, Mark Kermode takes us on a journey across the modern cinematic landscape.
What happens when you become obsessed with movies at a very early age? Mark Kermode has written a hilarious book about a life lived in film that will appeal to anyone who's ever wondered 'Who would play me in the film of my life?'.
Whatever your ailment, the nation's best-loved film experts have the perfect cinematic prescription for you, whether it's a course of the Coens or a dose of Die Hard. And they're ready to cure the movies to,, taking their scalpels to bloated blockbusters and warning of the ill effects of overpraise. Where medical ignorance and movie expertise meet - the surgery of Doctors Kermode and Mayo is now open.
"In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. The Good, The Bad and the Multiplex, by contrast, takes us"
The hilarious debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. ‘Riotously funny’ New York Times ‘Just as loopy and clever as his movies’ Washington Post
Publisher Description
The UK's most trusted (and scathing) film reviewer asks: who needs the professionals now that everyone’s a critic? For decades, the backbone of film criticism has been the hatchet job – the entertaining trashing of a film by professional reviewers, seen by many as cynical snobs. But with the arrival of the internet, have the critics finally fallen under the axe? With movie posters now just as likely to be adorned by Twitter quotes as fusty reviewer recommendations, has the rise of enthusiastic amateurism sounded the death knell of a profession? Are the democratic opportunities of the internet any more reliable than the old gripes and prejudices of the establishment? Can editing really be...
A visually stunning and heartfelt riposte to the emotional sterility of Kubrick's 2001: A Space Odyssey, Douglas Trumbull's eco-themed Silent Running (1972) became one of the defining science-fiction films of the seventies. Bruce Dern excels as lonely hero Freeman Lowell, cast adrift in deep space with three robotic 'Drones' who become his 'amazing companions' on a journey 'beyond imagination'. Mark Kermode, writing on his favourite science fiction film of all time, traces Trumbull's sentimental masterpiece from its roots in the counter-culture of the sixties to its enduring appeal as a cult classic in the 21st century. Drawing on a new interview with Trumbull, Kermode examines both the technical and thematic elements of this uniquely moving space adventure, which continues to be mirrored and imitated by film-makers today. This special edition features original cover artwork by Olly Moss.
How did a low-key prison movie which was considered a box-office flop on its original release become one of the most popular movies of all time? Mark Kermode traces the history of this unexpected audience favourite from the pages of Stephen King's novella 'Rita Hayworth and Shawshank Redemption', through the icy corridors of Ohio's Mansfield Reformatory (whose imposing gothic architecture dominates the film), to the television and video screens on which 'The Shawshank Redemption' became a phenomenon. This study traces the history of 'The Shawshank Redemption' and draws on interviews with writer/director Frank Darabont and leading players Tim Robbins and Morgan Freeman. The book also explores the near-religious fervour that the film inspires in a huge number of devoted fans.