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Mark Manders
This artist-designed publication documents "Isolated Rooms," a 2003 exhibition by Mark Manders at the Art Institute of Chicago and the Renaissance Society at the University of Chicago. These installations marked the American museum debut for the 35-year-old Dutch artist, who has been exhibiting in Europe since the early 1990s. For "Isolated Rooms" Manders created fifteen new major pieces in a variety of media, including handmade and found objects, drawings, and sculptures. Manders used both traditional gallery settings and non-traditional spaces, such as a stairwell, an exterior wall of the museum, and a non-functioning bathroom. The book comprises two parts: Isolated Rooms Reference Book surveys the artist's oeuvre to date and features essays by James Rondeau and Dieter Roelstraet; the second fully documents the Chicago exhibitions and includes a checklist with discussions of each exhibited piece. Distributed for the Art Institute of Chicago
Mark Manders
This is a study of the Korean War of 1950-1953 from the inside--the nuts and bolts of armed conflict. The perspective is American, with the principal focus on the relationships of the people involved: Koreans versus Koreans, Americans and Koreans, Americans and Chinese, and the U.S. and its allies. The lives of ordinary soldiers are examined--U.S. forces, with attention paid to the other side as well. A major development in American ranks was the effective elimination of racial segregation. At home, there were surveys of Americans' opinions about the war. The book examines such important aspects of military operations as supplies, equipment and weapons, tactics and strategy, intelligence, and psychological warfare. Also studied is the vexing matter of prisoners of war--on both sides. Finally, there is an effort to fit Korea into the generalities of American military experience in Asia, from the war with Japan to Vietnam.
Mark Manders
Dutch artist, Mark Manders' first UK solo exhibition takes the form of an ambitious commission for BALTIC. This work showcases work from Manders' exploration Self-Portrait as a Building, a project the artist has been working on since he was 18 years old. It also contains essays by Penelope Curtis, and Roland Van de Sompel.
Mark Manders
Catalogue of an exhibition co-organized by the Aspen Art Museum and the Hammer Museum. Exhibition held at the Hammer Museum, Los Angeles, Sep. 25, 2010-Jan. 2, 2011; Aspen Art Museum, Feb. 17-May 1, 2011; and Walker Art Center, Minneapolis, Jun. 16-Sep. 11, 2011.
Mark Manders
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Mark Manders
Catalogue for the Mark Manders exhibition held in the Jarla Partilager Gallery in Stockholm. Contents: "The Endless House" by Maria Barnas, "Stockholm 2010" by Mark Manders/Jarla Partilager, "Selected Notes" by Mark Manders, and "List of Works and Descriptions" by Mark Manders.
Mark Manders
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The Absence of Mark Manders
For this extensive series of European exhibitions of Mark Mander's work to date, he has arranged his installations around a central space, which, combined with works from 1990 to 2007, enable the presentation of a comprehensive overview of his existing oeuvre.
Mark Manders Reference Book
Dutch artist Mark Manders - who will represent the Netherlands at the 55th Venice Biennale in 2013 - was awarded the Heineken Prize for Art 2012. The jury praised him for his ability to create a personal world with a distinct visual language that both intrigues and becomes fixed in the memory. On the occasion of this award, Roma Publications compiled this almost encyclopedic book which covers Manders' entire oeuvre from the late 1980s until the present. It contains facsimiles of the artist's publications and a focus on a large number of recent, never-published
Mark Manders
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