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Authorizing Shakespeare on Film and Television examines recent film and television transformations of William Shakespeare's drama by focusing on the ways in which modern directors acknowledge and respond to the perceived authority of Shakespeare as author, text, cultural icon, theatrical tradition, and academic institution. This study explores two central questions. First, what efforts do directors make to justify their adaptations and assert an interpretive authority of their own? Second, how do those self-authorizing gestures impact upon the construction of gender, class, and ethnic identity within the filmed adaptations of Shakespeare's plays? The chosen films and television series consid...
For Shakespeare and Shakespearean adaptation, the global digital media environment is a brave new world of opportunity and revolution. InOuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation, noted scholars of Shakespeare and new media consider the ways in which various media affect how we understand Shakespeare and his works. Daniel Fischlin and his collaborators explore a wide selection of adaptations that occupy the space between and across traditional genres what artist Dick Higgins calls intermedia ranging from adaptations that use social networking, cloud computing, and mobile devices to the many handicrafts branded and sold in connection with the Bard. With essays on YouTube and iTunes, as well as radio, television, and film, OuterSpeares is the first book to examine the full spectrum of past and present adaptations, and one that offers a unique perspective on the transcultural and transdisciplinary aspects of Shakespeare in the contemporary world.
The first book to explore their history, legacy, and influence This is a book about the Kids in the Hall „ the legendary Canadian sketch comedy troupe formed in Toronto in 1984 and best known for the innovative, hilarious, zeitgeist-capturing sketch show The Kids in the Hall „ told by the people who were there, namely the Kids themselves. John SemleyÍs thoroughly researched book is rich with interviews with Dave Foley, Mark McKinney, Bruce McCulloch, Kevin McDonald, and Scott Thompson, as well as Lorne Michaels and comedians speaking to the KidsÍ legacy: Janeane Garofalo, Tim Heidecker, Nathan Fielder, and others. It also turns a criticÍs eye on that legacy, making a strong case for the massive influence the Kids have exerted, both on alternative comedy and on pop culture more broadly. The Kids in the Hall were like a band: a group of weirdoes brought together, united by a common sensibility. And, much like a band, theyÍre always better when theyÍre together. This is a book about friendship, collaboration, and comedy „ and about clashing egos, lost opportunities, and one-upmanship. This is a book about the head-crushing, cross-dressing, inimitable Kids in the Hall.
Five decades after the production and initial release of Rebel Without a Cause, this book examines both the complicated historical moment in which the film was made as well as its continuing and pervasive influence on film today. The contributors track how the film continues to speak to diverse audiences as a touchstone for imagined anxieties over adolescence and coming-of-age, traditional values of family and community, threats from abroad, and the provocations of mass or consumer society. Although the specific sources and motivations for rebellion have shifted, what has persisted is the film's singular power to represent rebellion in what could otherwise be seen as the everyday, and to move viewers to ponder its causes.
Profound analysis of French comics through a postcolonial lens Postcolonialism and migration are major themes in contemporary French comics and have roots in the Algerian War (1954–62), antiracist struggle, and mass migration to France. This volume studies comics from the end of the formal dismantling of French colonial empire in 1962 up to the present. French cartoonists of ethnic-minority and immigrant heritage are a major focus, including Zeina Abirached (Lebanon), Yvan Alagbé (Benin), Baru (Italy), Enki Bilal (former Yugoslavia), Farid Boudjellal (Algeria and Armenia), José Jover (Spain), Larbi Mechkour (Algeria), and Roland Monpierre (Guadeloupe). The author analyzes comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including avant-gardism, undocumented migrants in comics, and racism in far-right comics.
When Albert Memmi published the first anthology of francophone Maghrebian literature, he expressed his unhappy belief that francophone writing would quickly be eclipsed by Arabic. To the contrary, this volume demonstrates that the francophone writing of North Africa remains vibrant and prolific.
MRI Normal Variants and Pitfalls presents over 1,800 images of normal anatomic variants, artifacts, and other features that mimic pathology on MRI scans. The book will reduce the rate of diagnostic errors by helping radiologists distinguish pathology from MRI appearances that may simulate disease. Organized by anatomic region, the book covers the gamut of neuroradiology, breast imaging, vascular, cross-sectional, and musculoskeletal radiology. Each chapter shows examples of normal anatomy, variations, common incidental or benign conditions, and imaging features that may mimic other disease processes. Concise figure legends facilitate rapid identification of imaging characteristics. Examples of common MRI artifacts are included, with brief explanations from physicists in language understandable to radiologists.
With interdisciplinary analyses of texts whose origins span the diversity of the Jewish and Muslim traditions, the provocative essays collected in Israeli-Palestinian Conflict in the Francophone World offer startling insights into the meaning of the volatile history of this conflict in the Francophone world. In France and the Francophone world, the hostilities of the on-going Israeli-Palestinian conflict are consistently reenacted in cultural clashes between the large Muslim and Jewish populations within France and throughout the Francophone Diaspora. The notable scholars appearing in this collection interrogate the complex history of this conflict – from the beginnings of Zionism in 1897 to the first and second Intifada of 1987 and 2000 – and give unique perspectives culled from a diverse range of literary, philosophical, historical, and psychoanalytic frameworks. An important and unique volume, Israeli-Palestinian Conflict in the Francophone World, will shed new light for the reader on the dense ideological antagonisms at the heart of the Israeli-Palestinian conflict and will surely be celebrated as an invaluable resource for scholars, students, and teachers alike.
History's Place explores nostalgia as one of the defining aspects of the relationship between France and North Africa. Dr. Seth Graebner argues that France's most important colony developed a historical consciousness through literature, and that post-colonial writers revised it while retaining its dominant effect.
Autofiction: A Female Francophone Aesthetic of Exile explores the multiple aspects of exile, displacement, mobility, and identity as expressed in contemporary autofictional work written in French by women writers from across the francophone world. Drawing on postcolonial theory, gender theory, and autobiographical theory, the book analyses narratives of exile by six authors who are shaped by their multiple locales of attachment: Kim Lef�vre (Vietnam/France), Gis�le Pineau (Guadeloupe/mainland France), Nina Bouraoui (Algeria/France), Mich�le Rakotoson (Madagascar/France), V�ronique Tadjo (C�te d'Ivoire/France), and Abla Farhoud (Lebanon/Quebec). In this way, the book argues that the...