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Lippy
Winner of a Scotsman Fringe First Award 2014 In 2000 in Leixlip, co. Kildare, an aunt and 3 sisters boarded themselves into their home and entered into a suicide pact that lasted 40 days. We weren’t there. We don’t know what they said. This is not their story. Winner of the Irish Times Theatre Award for Best Production (2013), and inspired by a real-life event involving the suicide pact of four women in a small town outside Dublin, Lippy is a play about authorship and the role of the writer.
Unsettled
Rosaleen McDonagh writes fearlessly about a diverse experience of being Irish. 'Unsettled' explores racism, ableism, abuse and resistance as well as the bonds of community, family and friendship. As an Irish Traveller writing from a feminist perspective, McDonagh's essays are rich and complex, raw and honest, and, above all else, uncompromising.
In Sight of Yellow Mountain
'This is The Good Life meets A Year in Provence'. Sue Collins, The Nualas 'A luminous, funny and profound reading experience.' Sebastian Barry First, a dream of escaping the city... and then a century-old cottage to match the dream. Moving to a small village in the heart of the countryside was the beginning of a new life for Philip Judge and his Beloved – the beginning of life In Sight of Yellow Mountain. Judge describes the season-by-season charms and frustrations that he, his Beloved, and eventually, his two growing boys experience as they adapt to life in the countryside. There are highs and lows. Wellies and tweeds are bought. Vegetable patches cultivated. Lambs are born, calves die. There is weather: good and bad; health and happiness; illness and sadness. The city slicker fails miserably at Name That Grain! and makes many faux pas along the way, but ultimately, this is the story of one man, and his growing family, experiencing the pleasure that is finding home.
Cultural Perspectives on the Irish in Latin America
This collective volume provides the reader with an exploration of Latin America from an Irish perspective. The contributors have explored the multiple, and sometimes surprising, links that exist between Ireland and Latin America, touching on specific features of these links such as the political and cultural influence of the Irish diaspora and their political relations. These topics are examined through different media, including literature, films, history, poetry and sociology, and offer an opportunity to discover an aspect of Irish culture and history that has not been widely studied. The authors deal with these questions from different cultural perspectives within past and present contexts, exploring two cultures and histories which, at times, are linked through their shared destinies. They also provide the reader with different national perspectives. In presenting the long-lasting and multifaceted relationships between Ireland and Latin America, the contributors have helped to deepen our understanding of a part of Ireland’s historical heritage that deserves more focus.
Resistance and the City
The contributions collected in the second volume of Resistance and the City are devoted to the three markers of identity that cultural studies has recognised as paramount for our understanding of difference, inequality, and solidarity in modern societies: race, class, and gender. These categories, tightly linked to the mechanics of power, domination and subordination, have often played an eminent role in contemporary struggles and clashes in urban space. The confluence of people from diverse ethnic, social, and sexual backgrounds in the city has not only raised their awareness of a variety of life concepts and motivated them to negotiate their own positions, but has also encouraged them to develop strategies of resistance against patterns of social and spatial exclusion. Contributors: Oliver von Knebel Doeberitz, Barbara Korte, Anna Lienen, Gill Plain, Frank Erik Pointner, Katrin Röder, Ingrid von Rosenberg, Mark Schmitt, Ralf Schneider, Christoph Singer, Sabine Smith, Merle Tönnies, Ger Zielinski
New Irish Storytellers
With the success of such films as the Oscar winner Once, Irish film has been getting well-deserved international attention recently. New Irish Storytellers examines storytelling techniques and narrative strategies in contemporary Irish film. Revealing defining patterns within recent Irish cinema, this book explores connections between Irish cinematic storytellers and their British and American colleagues. Díóg O’Connell traces the creative output of Irish filmmakers today back to 1993, the year the Irish Film Board was reactivated, reinvigorating film production after a hiatus of seven years. Reflecting on this key and distinctive era in Irish cinema, this book explores how film gave expression to tensions and fissures in the new Ireland.
Oscar Wilde and Contemporary Irish Drama
This book is about the Wildean aesthetic in contemporary Irish drama. Through elucidating a discernible Wildean strand in the plays of Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness, it demonstrates that Oscar Wilde's importance to Ireland's theatrical canon is equal to that of W. B. Yeats, J. M. Synge and Samuel Beckett. The study examines key areas of the Wildean aesthetic: his aestheticizing of experience via language and self-conscious performance; the notion of the dandy in Wildean texts and how such a figure is engaged with in today's dramas; and how his contribution to the concept of a ‘verbal theatre’ has influenced his dramatic successors. It is of particular pertinence to academics and postgraduate students in the fields of Irish drama and Irish literature, and for those interested in the work of Oscar Wilde, Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness. okokpoj
Family Legacy
Jack Pagano has always felt he is different. Smart and physically talented, the normal pursuits of youth - women and sports - have always come a little too easy to him and left him unfulfilled. At age seventeen, Jack is eager to leave high school and begin his college career. But the schooling that lies ahead of him is of a far different variety than he could have ever imagined. Albert Anastasia, the notorious leader of Murder, Inc., appears and claims Pagano as his son. But before Jack can make heads or tails of his new-found father, Anastasia is gunned down at the Park Sheraton Hotel. Under the tutelage of his late father's associates, Meyer Lansky and Frank Costello, Jack enters a world w...
The Myth of an Irish Cinema
For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer ...
The Possible World
“A brilliantly written, moving story” (The Washington Book Review) about the converging lives of a young boy who witnesses a murder, the ER doctor who tends to him, and a woman guarding her long-buried past, from the author of What Could Be Saved. It seems like just another night shift for Lucy, an overworked ER physician in Providence, Rhode Island, until six-year-old Ben is brought in as the sole survivor from a crime scene. He’s traumatized and wordless; everything he knows has been taken from him in an afternoon. It’s not clear what he saw or what he remembers. Lucy, who’s grappling with the demise of her marriage, feels a profound connection to the little boy. She wants to hel...
