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The Short Novels of John Steinbeck
This collection reviews what has been categorized as the 'good' and the 'bad' of Steinbeck's short novels, looking beyond the careless labeling that has characterized a great deal of commentary on Steinbeck's writing to the true strengths and weaknesses of the works.
Dickens and the Dialectic of Growth
In his works, from Oliver Twist to Our Mutual Friend, Charles Dickens reveals a continuum of artistic as well as social development over a period of four decades. In this highly original study, Badri Raina relates Dickens' novels thoroughly to one another, illuminating the works by seeing them in terms of the author's changing social outlook, personal attitudes, and aesthetic practice. Raina's book will fascinate readers of Dickens, and will serve social historians as well. The unifying point of Raina's study is Dickens' ambivalence toward respectable Victorian bourgeois society; he criticized the bourgeois myths of unbridled success and achievement through aggressive individualism, yet wish...
The Dickens Industry
Undoubtedly the best-selling author of his day and well loved by readers in succeeding generations, Charles Dickens was not always a favorite among critics. Celebrated for his novels advocating social reform, for half a century after his death he was ridiculed by those academics who condescended to write about him. Only the faithful band of devotees who called themselves Dickensians kept alive an interest in his work. Then, during the Second World War, he was resurrected by critics, and was soon being hailed as the foremost writer of his age, a literary genius alongside Shakespeare and Milton. More recently, Dickens has again been taken to task by a new breed of literary theorists who fault ...
Modern Criticism
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Hemingway's Quarrel with Androgyny
Hemingway's Quarrel with Androgyny confronts the entrenched mystique surrounding the hard drinker, bullfighter, and creator of characters steeled by their own code. Spilka stresses Hemingway's lifelong dependence on and secret identification with women, and in doing so shatters the myths of male bonding and heroic lives of "men without women." He develops the biographical, literary, and cultural implications of Hemingway's lifelong quarrel with androgyny to reveal a more psychologically complex man and writer than the mystique has allowed.
Ernest Hemingway's The Sun Also Rises
Still the most popular of Hemingway's books, The Sun also Rises captures the quintessential romance of the expatriate Americans and Britons in Paris after World War I. The text provides a way for discussions of war, sexuality, personal angst, and national identity to be linked inextricably with the stylistic traits of modern writing. This Casebook, edited by one of Hemingway's most eminent scholars, presents the best critical essays on the novel to be published in the last half century. These essays address topics as diverse as sexuality, religion, alcoholism, gender, Spanish culture, economics, and humor. The volume also includes an interview with Hemingway conducted by George Plimpton.
Men Alone
This study examines masculinity and individualism in four American novels of the 1920s and 1930s usually regarded as belonging to the genre of hard-boiled fiction. The novels under study are Red Harvest by Dashiell Hammett, The Postman Always Rings Twice by James M. Cain, They Shoot Horses, Don't They? by Horace McCoy, and To Have and Have Not by Ernest Hemingway. In this first full-length study of gender in hard-boiled fiction the genre is discussed as a representation of the ideologies of masculinity and individualism. Hard-boiled fiction is located in its historical and cultural context and it is argued that the genre, with its explicit emphasis on masculinity and masculine virtues, attempts to reaffirm a masculine order. The study argues that this emphasis is a counter-reaction to more general changes in the gender relations of the period. Indeed, hard-boiled fiction is argued to be an attempt to reconstruct a masculine identity based on anti-modern values generally accepted in the cultural context of the genre.
Hemingway, Trauma and Masculinity
Hemingway, Trauma and Masculinity: In the Garden of the Uncanny is at once a model of literary interpretation and a psycho-critical reading of Hemingway’s life and art. This book is a provocative and theoretically sophisticated inquiry into the traumatic origins of the creative impulse and the dynamics of identity formation in Hemingway. Building on a body of wound-theory scholarship, the book seeks to reconcile the tensions between opposing Hemingway camps, while moving beyond these rivalries into a broader analysis of the relationship between trauma, identity formation and art in Hemingway.
Ethical Aestheticism in the Early Works of Henry James
This study re-locates the work of Henry James by revealing parallels between the aestheticism of John Ruskin and that of James. It explores a mix of well-known fictional texts alongside James’s essays and tales, which are less frequently analysed, but which, nevertheless, offer important insights into James’s attitude to his artistic method. Tracing James’s early development in comparison with Ruskin’s, this book also explores German Romantic thought and the idealism of Kant, Goethe and Hegel. While examining the German connections with James, this study is also alert to James’s relations with Walter Pater and French realism, to which James became increasingly close in the mid-1880s. Rather than placing James within one single category, it demonstrates how James interfused Romanticism and realism in establishing his own form of aestheticism. Shedding light on James’s period of apprenticeship, this book therefore articulates the Victorian concept of ‘aestheticism’ as used by James and Ruskin.
Writing and Madness
This is the author's most influential work of literary theory and criticism in which she explores the relations between literature, philosophy, and psychoanalysis.
