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The Synthesizer
Electronic music instruments weren't called synthesizers until the 1950s, but their lineage began in 1919 with Russian inventor Lev Sergeyevich Termen's development of the Etherphone, what we now know of as the Theremin. The past century has seen remarkable developments in synthesizers, documented in the first chapter of this book by a historical look at the most important instruments and how they advanced methods of a musician's control, of sound generation, of improved capabilities for live performance, of interfaces that improved the musician's interaction with the instrument, and of groundbreaking ways to compose music. Chapter two covers the basics of acoustics and synthesis, including ...
Liberalism in Illiberal States
After the end of the Cold War, liberalism emerged as the world's dominant political-economic ideology, and economic liberalism seemed to have achieved global hegemony. In Liberalism in Illiberal States, Mark Vail acknowledges the dominance of economic liberalism, but argues that its implementation in specific countries is always unique and dependent upon powerful historical factors. He focuses on France, Germany, and Italy--countries that many scholars do not view as "liberal" at all--and contends they have in fact developed distinct forms of national liberalism, of which their postwar models of capitalism were merely one manifestation. Vail argues that these states' political economies have...
Recasting Welfare Capitalism
In Recasting Welfare Capitalism, Mark Vail employs a sophisticated and original theoretical approach to compare welfare states and political-economic adjustment in Germany and France. He examines how and why institutional change takes place and what factors characterize economic evolution when moving from times of prosperity to more austere periods and back again. Covering the 1970s to the present, Vail analyzes social and economic reforms, including labor policy, social-insurance, and anti-poverty programs. He focuses on the tactics and actions of key political players, and demolishes the stagnation argument that suggests that France and Germany have largely frozen political economies, incapable of reform. Vail finds that these respective evolutions involve interrelated changes in social and economic policies and are characterized by political relationships that are continuously renegotiated—often in unpredictable ways. In the process, he presents a compelling reconceptualization of change in both the welfare state and the broader political economy during an age of globalization.
Keyboard Magazine Presents Vintage Synthesizers
A guide to vintage synthesizers, including history since 1962, and featuring interviews with designers, tips on buying and maintaining vintage synthesizers, pricing and production information, and more.
Marketcraft
Marketcraft argues that markets do not arise spontaneously but rather are crafted by individuals, firms, and most of all by governments. Thus "marketcraft" represents a core function of government comparable to statecraft. Vogel systematically reviews the implications of this argument, critiquing prevalent schools of thought and presenting innovative lessons for policy.
The Hammond Organ
Now fully updated, The Hammond Organ: Beauty in the B traces the technological and artistic evolution of the B-3 and other tonewheel organs, as well as the whirling Leslie speakers that catapulted the Hammond sound into history. You'll discover the genius that went into the development of Hammond's tonewheel generator, drawbar harmonics, percussion, scanner vibrato and other innovations, as well as the incredible assistance Don Leslie provided for Hammond by creating his famous rotating speaker system. Plus – B-3 legends including soul-jazzman Jimmy McGriff and progressive rocker Keith Emerson share their playing techniques; technical experts offer tips on buying, restoring, and maintaining Hammonds and Leslies; and over 200 photos illustrate historic Hammond organs, Leslie cabinets, and B-3 masters at work.
The Synthesizer
Electronic music instruments weren't called synthesizers until the 1950s, but their lineage began in 1919 with Russian inventor Lev Sergeyevich Termen's development of the Etherphone, now known as the Theremin. From that point, synthesizers have undergone a remarkable evolution from prohibitively large mid-century models confined to university laboratories to the development of musical synthesis software that runs on tablet computers and portable media devices. Throughout its history, the synthesizer has always been at the forefront of technology for the arts. In The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrum...
Analog Synthesizers
In this book, the technical explanation of the nature of analog sound creation is followed by the story of its birth and its subsequent development by various designers, manufacturers and performers. The individual components of analog sound creation are then examined in detail, with step by step examples of sound creation techniques. Then the modern imitative analog instruments are examined, again with detailed instructions for programming and using them, and the book is completed with appendices listing the major instrument lines available, hints on values and purchasing, other sources of information, and a discography of readily available recordings which give good examples of analog sound synthesis. The CD which accompanies the book gives many examples of analog sound creation basics as well as more advanced techniques, and of the abilities of the individual instruments associated with classical and with imitative analog sound synthesis.
Zappa Gear
Frank Zappa was an unremitting musical innovator and experimenter, always looking for ways to exploit the latest advances in technology. His working life coincided with the explosive development of music technology that ran from the 1960s through the following three decades. Without such inventions as the Marshall amplifier, the Gibson SG, the wah-wah pedal, and the Synclavier – much of it modified to his requirements and used in ways for which they had never been designed – Zappa's “air sculptures ” as his music has been described, would have had a significantly different shape and texture. Lavishly illustrated – including over 180 unique photographs of Frank Zappa's guitars and e...
