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‘MARK JENKINS IS AN ACCIDENTAL COMEDY GENIUS’ - Daily MailHaving driven into the sunset in the final episode of Channel 4’s The Hotel, Mark Jenkins is back doing what he does best - entertaining the nation. His unique take on life, affable charm, and woefully naïve exploits are all captured with great comedic effect in this, his first book.In The World According to Manager Mark you will discover just what makes this real-life Basil Fawlty tick. Containing Mark’s opinions on everything from AGEING to YORKSHIRE PUDDINGS, from BUS LANES to VEGETARIANS, and featuring VOL-AU-VENTS, INFLATABLES and countless SAUSAGES, this book houses more entertainment than a hotel in peak season.Frank, forthcoming and downright funny, in this A-Z of Mark’s world you’ll find a manifesto for a life in which we discover the difference between naturists and naturalists, umbrellas are categorised as dangerous weapons and green food is banned. Whether you consider yourself rich, poor or normal, and whether you drink real champagne or ‘nearly champagne’, this book contains something for everyone. Even the Queen!What’s more, you might learn a thing or two. UNBELIEVABLE!
In this book, the technical explanation of the nature of analog sound creation is followed by the story of its birth and its subsequent development by various designers, manufacturers and performers. The individual components of analog sound creation are then examined in detail, with step by step examples of sound creation techniques. Then the modern imitative analog instruments are examined, again with detailed instructions for programming and using them, and the book is completed with appendices listing the major instrument lines available, hints on values and purchasing, other sources of information, and a discography of readily available recordings which give good examples of analog sound synthesis. The CD which accompanies the book gives many examples of analog sound creation basics as well as more advanced techniques, and of the abilities of the individual instruments associated with classical and with imitative analog sound synthesis.
From his earliest work on personal identity to his last on the value of truthfulness, the ideas and arguments of Bernard Williams - in the metaphysics of personhood, in the history of philosophy, but especially in ethics and moral psychology - have proved sometimes controversial, often influential, and always worth studying. This book provides a comprehensive account of Williams's many significant contributions to contemporary philosophy. Topics include personal identity, various critiques of moral theory, practical reasoning and moral motivation, truth and objectivity, and the relevance of ancient Greece to modern life. It not only positions Williams among these important philosophical topics, but also with regard to the views of other philosophers, including prominent forerunners such as Hume and Nietzsche and contemporary thinkers such as, Nagel, McDowell, MacIntyre and Taylor. The fragmentary nature of Williams's work is addressed and recurring themes and connections within his work are brought to light.
The author shares his adventures of climbing the ice-rimmed Italian ridge of the Matterhorn, sea kayaking along the Turkish coast of Gallipoli, and sneaking across Tibet to reach Buddhism's holiest lake deep in the Himalayas.
Mark Jenkins is redefining sculpture as part of the urban environment. The Urban Theater, his first monograph, documents Jenkins's compelling, often disturbing street installations and demonstrates his talent for provoking reactions from passersby. For Jenkins, these spontaneous responses and interactions are an integral part of the life cycle of his works.
In an all-new compendium of travel tales, the Outside magazine columnist, explorer, and author of The Hard Way presents accounts of his true-life adventures and experiences in the farthest corners of the globe.
Having driven into the sunset in the final episode of Channel 4's The Hotel, Mark Jenkins is back doing what he does best - entertaining the nation. His unique take on life, affable charm, and woefully naive exploits are all captured with great comedic effect in this, his first book. In The World According to Manager Mark you will discover just what makes this real-life Basil Fawlty tick. Containing Mark's opinions on everything from AGEING to YORKSHIRE PUDDINGS, from BUS LANES to VEGETARIANS, and featuring VOL-AU-VENTS, INFLATABLES and countless SAUSAGES, this book houses more entertainment than a hotel in peak season. Frank, forthcoming and downright funny, in this A-Z of Mark's world you'll find a manifesto for a life in which we discover the difference between naturists and naturalists, umbrellas are categorised as dangerous weapons and green food is banned. Whether you consider yourself rich, poor or normal, and whether you drink real champagne or 'nearly champagne', this book contains something for everyone. Even the Queen! What's more, you might learn a thing or two. UNBELIEVABLE!
For nearly eight years as the monthly columnist for Outside magazine, and in his award-winning books, Mark Jenkins has held fans spellbound with his riveting accounts of expeditions to remote parts of the globe. In To Timbuktu, he sets out with three friends to attempt their first descent of the Niger River, hoping to reach the legendary city of Timbuktu. Along the way they are attacked by killer bees, charged by hippos, and stalked by crocodiles. They stumble upon a group of completely blind men living alone in the bush and dance with a hundred naked women. That Jenkins finally reaches his goal—riding alone across the Sahara on a motorcycle—stands in sharp contrast to what befell earlier explorers who tried to find Timbuktu and whose fates the author interweaves with the narrative of his own journey. A rich combination of cultural exploration, history, and gripping adventure, this beautifully repackaged edition of To Timbuktu is a journey not to be missed.
Studies the case of Formula 1® to show how businesses can achieve optimal performance in competitive and dynamic environments.
This edited collection brings together academics and practitioners to explore the uses of Digital Storytelling, which places the greatest possible emphasis on the voice of the storyteller. Case studies are used as a platform to investigate questions of concept, theory and practice, and to shine an interrogative light on this emergent form of participatory media. The collection examines the creative and academic roots of Digital Storytelling before drawing on a range of international examples to consider the way in which the practice has established itself and evolved in different settings across the world.