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On Modern Poetry
Guido Mazzoni tells the story of poetry’s revolution in the modern age. The chief transformation was the rise of the lyric as it is now conceived: a genre in which a first-person speaker talks about itself. Mazzoni argues that modern poetry embodies the age of the individual and has wrought profound changes in the expectations of readers.
Printing, Writers and Readers in Renaissance Italy
The spread of printing to Renaissance Italy had a dramatic impact on all users of books. As works came to be diffused more widely and cheaply, so authors had to adapt their writing and their methods of publishing to the demands and opportunities of the new medium, and reading became a more frequent and user-friendly activity. Printing, Writers and Readers in Renaissance Italy focuses on this interaction between the book industry and written culture. After describing the new technology and the contexts of publishing and bookselling, it examines the continuities and changes faced by writers in the shift from manuscript to print, the extent to which they benefited from print in their careers, and the greater accessibility of books to a broader spectrum of readers, including women and the less well educated. This is the first integrated study of a topic of central importance in Italian and European culture.
Art and Curiosity Cabinets of the Late Renaissance
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of ...
First Lessons
This book provides a detailed commentary on Book 1 (epistulae 1-12) of Seneca's Ad Lucilium Epistulae Morales, written in the last years (62-65 AD) of the philosopher's life. The importance of the Epistulae Morales as an example, possibly the consummation, of Seneca's writings and a discussion of Roman (Stoic) moral philosophy, is universally acknowledged. The purpose in focusing upon these first twelve epistles, which establish the principle and intention of this large collection of twenty extant Books, is to interpret and annotate the letters and add insight to the understanding of the Epistulae Morales overall. Every letter in Book 1 is discussed in the form of a commentary. Areas of comment include vocabulary and style, personal allusions to Seneca, relevant issues of history and social environment and, inevitably, the moral and philosophical concepts which form the substance of Seneca's argument throughout the Epistulae Morales. Two further issues, the Structure and Style of Book 1, are discussed in separate chapters.
Marcel Duchamp
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Manual of instructions for Étant donnés
"Out of print for a number of years, this facsimile of Marcel Duchamp's Manual of Instructions was prepared by the artist for the disassembly of Etant donnes in his New York studio and its reassembly at the Philadelphia Museum of Art. First published more than twenty years ago, the manual has had far-reaching ramifications for the study of Etant donnes and Duchamp. Illustrated with 116 black-and-white Polaroids taken by the artist and 35 pages of his handwritten notes and sketches, the revised edition includes a new essay by Michael R. Taylor on the pivotal importance of the manual to an understanding of Duchamp's artistic practice as well as the first English translation of the artist's text." --Book Jacket.
Althusser
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Auswege sind Umwege
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