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Maillol and Dina
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Genovés
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Neil Welliver
March 2 - 31, 1984 Marlborough Fine Art
Tomás Sánchez
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Perspective of Nudes
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The New Encyclopedia of American Scandal
Covering people and events from the 1630s to the present day, this reference offers 455 entries on such topics as dirty politics, white-collar scams, botched cover-ups, tawdry love affairs, and despicable acts of corruption.
Jackson Pollock
March 1969, Marlborough-Gerson Gallery
Chihuly Marlborough
For more than thirty years, Dale Chihuly has been creating and experimenting with works of art in glass. An exhibition of Chihuly's art was held at the prestigious Marlborough Gallery in New York City, 5 April to 5 May 2001. There was an encore performance at Marlborough London, 2 August to 29 August 2001 and finally at Marlborough Monte Carlo, 27 June to 31 August 2002. Accompanying these magnificent exhibitions, this second edition of 'Chihuly Marlborough' features 51 dramatic, full-colour images that capture the artist's most recent work. A detailed chronology, as well as listings of museum collections and museum exhibitions, augment this volume. The catalogue also features a profile of Chihuly and his artwork by writer and noted art critic Phyllis Tuchman. Her enlivening essay provides readers with an insightful glimpse into the artist's life and his passion for using four transparent materials: glass, plastic, ice, and water.
Genovés
Juan Genoves' artistic career is deeply linked to the movements opposing Franco's regime in Spain: he has always believed that art should be committed to social issues, as well as being alluring emotionally and even physically. His style features plain colours and cinematic-like compositions, with dynamic uses of lines in perspective. His paintings convey intense anxiety and disorientation, absurdity and human fragility as he explores political and social issues, the contradiction between the individual and the crowd and, as the title of the book suggests, the broad concept of resistance. Juan Genoves (Valencia, 1930) is best known for his 1976 painting El abrazo (The Embrace), reproduced for an Amnesty International poster in the Spanish transition to democracy, which would later become the memorial to the lawyers killed in the 1977 Atocha massacre. 30 images
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
