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Covering people and events from the 1630s to the present day, this reference offers 455 entries on such topics as dirty politics, white-collar scams, botched cover-ups, tawdry love affairs, and despicable acts of corruption.
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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
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This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.
This introductory volume shows the best of Francis Bacon's work.
March 2 - 31, 1984 Marlborough Fine Art
Francis Bacon is given a piercing re-examination through critical commentary, brilliant reproductions, and private photographs in this beautifully produced flexi edition. The existential anxiety of modern man, the inescapability of death, and the catastrophe of loneliness are some of the themes that we revisited time and again in Francis Bacon's work. In this comprehensive study of one of the twentieth century's most passionately committed artists, Wieland Schmied offers a thoughtful overview of Bacon's life, analyses his paintings, and examines the creative processes they embody. He explores in depth Bacon's subtle use of space, the development of his imagery, idiosyncratic painting technique, and place in the pantheon of twentieth-century artists. The author was a close friend and confidante of the artist. This book includes many private photographs of Bacon in his studio. There is an increasing interest in Francis Bacon - exhibition just ended at The Scottish National Gallery of Art (September 2005).