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Reprint. Paperback edition originally published: 2010.
A significantly expanded edition of Carrington's acclaimed Tarot series, featuring new archival images and research The British-born Mexican surrealist Leonora Carrington (1917-2011) spent a lifetime exploring the esoteric traditions of diverse cultures, and incorporated their ideas and symbols into her artistic and literary oeuvre. Tibetan Buddhism, the Kabbalah, ancient Egyptian and Mesopotamian magic, Celtic mythology, witchcraft, astrology and the Tarot were filtered through her feminist lens to create a visionary, woman-centered worldview. Carrington created a spectacular Major Arcana Tarot deck sometime during the 1950s, laying gold and silver leaf over brilliant color. Exhibited for t...
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"On the occasion of the centenary of the birth of photographer Kati Horna, the Museo Amparo in Puebla has organized an exhibition of her work, scheduled to travel later to the Jeu de Paume in Paris and the Palau de la Virreina in Barcelona. The catalogue-book of the exhibition, published under a joint imprint with Editorial RM, represents a recognition of Horna's photographic career and is the first adequate single-volume treatment of her work. The book traces Kati Horna's steps from Budapest to Paris, Spain, and Mexico, following the career of a cosmopolitan figure in the twentieth-century avant-garde. It contains essays by Péter Baki, Jean-François Chevrier, Estrella de Diego, Juan Manuel Bonet, and José Antonio Rodríguez, as well as a chronology of Horna's life drawn up by Ángeles Alonso, a text by her daughter Norah Horna, and documentary material from her personal archive. The reproductions in the book, representative of all the genres practiced by Kati Horna, include hitherto unpublished images"--Publisher's website.
This first book from the Marciano Art Foundation offers an in-depth look at one of the world's premier private collections of contemporary art and celebrates its dynamic new public home in Los Angeles. The Maurice and Paul Marciano Art Foundation is one of the world's most diverse and important private collections of contemporary art. This book offers an incisive view of a wonderfully pluralistic collection and heralds its new permanent home in an architecturally and historically significant former Scottish Rite Masonic temple designed by Millard Sheets. Conceived as an artist's playground, the building has been transformed by contemporary architect Kulapat Yantrasast of wHY Architecture and Design into a spectacular platform for art and education, including a wide array of exhibition spaces. Highlighting the foundation's first exhibition curated by Philipp Kaiser in its stately new location, the book also includes an interview with and biography of architect Millard Sheets; an essay on the secret Masonic rituals that once took place in the building; and insights from Yantrasast on the synergy between a historic structure, contemporary art, and the urban environment.
This is the definitive study of US artist Dorothea Tanning (1910-2012), positioning her as one of the most fascinating and significant creative forces to emerge from the 20th century. It provides a framework within which to consider the range and depth of Tanning's work, well beyond the better-known early surrealist works of the 1940s, and makes connections between her life experiences and thematic preoccupations. Extensively illustrated and featuring unpublished material from interviews which the author conducted with the artist between 2000 and 2009, this book will appeal to the general museum-going public as well as academics, students, curators and collectors.
This is the first book to survey the life and work of Surrealist artist Leonora Carrington (born 1917). nineteen-year-old debutante, she escaped the stultifying demands of her wealthy English family by running away to Paris with her lover Max Ernst. She was immediately championed by Andre Breton, who responded enthusiastically to her fantastical, dark and satirical writing style and her interest in fairy tales and the occult. Her stories were included in Surrealist publications, and her paintings in the Surrealists' exhibitions. ended up in the 1940s as part of the circle of Surrealist European emigres living in Mexico City. Close friends with Luis Bunuel, Benjamin Peret, Octavio Paz and a host of both expatriate Surrealists and Mexican modernists, Carrington was at the centre of Mexican cultural life, while still maintaining her European connections. overview of this intriguing artist's rich body of work. The author considers Carrington's preoccupation with alchemy and the occult, and explores the influence of indigenous Mexican culture and beliefs on her production.
An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel. Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth’s rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several centuries back in time with a cross-dressing Abbess who is on a quest to restore the Holy Grail to its rightful owner, the Goddess Venus. Guiding us is one of the most unexpected heroines in twentieth-century literature, a nonagenarian vegetarian named Marian Leatherby, who, as Olga Tokarczuk writes in her afterword, is “hard of hearing” but “full of life.”
Swartz follows the teachings of Carl Jung to incorporate the lessons of diverse belief systems in her life and art. This magnificent volume surveys forty years of an art that is spiritually grounded and rich with visual splendour.
This pioneering book stands as the most comprehensive treatment of the lives, ideas and art works of the remarkable group of women who were an essential part of the Surrealist movement. Frida Kahlo, Meret Oppenheim and Dorothea Tanning, among many others, became an embodiment of their age as they struggled towards artistic maturity and their own 'liberation of the spirit' in the context of the Surrealist revolution. Their stories and their achievements are presented here against the background of the turbulent decades of the 1920s, 30s and 40s, and the war that forced Surrealism into exile in New York and Mexico.