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The Wall
When her cousin and wife fail to return from a walk, this story takes a sinister turn to a quest of survival A woman takes a holiday in the Austrian mountains, spending a few days with her cousin and his wife in their hunting lodge. When the couple fails to return from a walk, the woman sets off to look for them. But her journey reaches a sinister and inexplicable dead end. She discovers only a transparent wall behind which there seems to be no life. Trapped alone behind the mysterious wall she begins the arduous work of survival. This is at once a simple account of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the use of one's name, and ...
The Loft
A 1960s Austrian housewife is forced to review her past when pages from old diaries begin to arrive mysteriously in the letter box at her family home. Each day after the windows are cleaned and the baking is done, she forces herself to read and burn the evidence of her troubled youth. Marlen Haushofer is most famous for The Wall, her only novel to have been translated into English before now. She won numerous awards in her life time, including the Grand Austrian State Prize for literature. Although nearly forgotten after her death in 1970, it has since become a feminist classic.
The Wall
"A quite ordinary middle-aged woman ... awakens to find she is the last living human being"--Back cover.
The Loft
None
The Woman in the Red Dress
"Graceful and impassioned, The Woman in the Red Dress offers important new approaches to narratives about father-daughter incest as well as stories that contaminate the myth of home as a safe space and map a geography of sexual violence, victimization, and survival. Gwin situates her analysis of fiction such as Morrison's The Bluest Eye. Alice Walker's The Color Purple, Dorothy Allison's Bastard out of Carolina, and Jane Smiley's A Thousand Acres within contemporary debates concerning survivor discourse, theories of domestic space, and issues of race and class. She also explores books - such as Hulme's The Bone People - that enter a murky and liminal queer space in which gender itself travels and the most claustrophic physical and social spaces can unexpectedly unhinge and open.".
Killing Stella
Never before in English, a gripping, razor-sharp novella of a fractured marriage, by the ferociously talented author of THE WALL
Marlen Haushofer: Texte und Kontexte
Marlen Haushofer ist eine der bedeutendsten österreichischen Autorinnen der Nachkriegsgeneration und mit einiger Verzögerung inzwischen als solche anerkannt. Ihrem Werk – den fünf Romanen sowie einer Reihe von Erzählungen und Kinderbüchern – widmen sich in diesem Buch zehn ausgewiesene Expertinnen und Experten, die Haushofers Themen und Kontexte mit perspektivischer Vielfalt ausleuchten. Der Roman Die Wand hat seit seinem Erscheinen ein breites internationales Echo und mehrere Wiederentdeckungen erfahren. Als narratives Lockdown-Experiment ist er aktueller denn je. Auch das übrige Werk der Autorin ist ästhetisch bemerkenswert und rezeptionsgeschichtlich aufschlussreich. Zu Haushofers zentralen Themen zählen die Vertreibung aus dem prekären Paradies der Kindheit und das Fortwirken der nationalsozialistischen Vergangenheit. In formaler Hinsicht erweisen sich die perspektivische Beschränkung auf die Erlebniswelt ihrer Figuren und die Präsenz phantastischer und märchenhafter Elemente als Konstanten.
Visitation
By the side of a lake in Brandenburg, a young architect builds the house of his dreams - a summerhouse with wrought-iron balconies, stained-glass windows the colour of jewels, and a bedroom with a hidden closet, all set within a beautiful garden. But the land on which he builds has a dark history of violence that began with the drowning of a young woman in the grip of madness and that grows darker still over the course of the century: the Jewish neighbours disappear one by one; the Red Army requisitions the house, burning the furniture and trampling the garden; a young East German attempts to swim his way to freedom in the West; a couple return from brutal exile in Siberia and leave the house to their granddaughter, who is forced to relinquish her claim upon it and sell to new owners intent upon demolition. Reaching far into the past, and recovering what was lost and what was buried, Jenny Erpenbeck tells a story both beautiful and brutal, about the things that haunt a home.
Fabulous Creatures, Mythical Monsters, and Animal Power Symbols
Eason provides an extensive overview of the mythology, legends, and folklore surrounding fabulous and strange fantasy creatures from diffferent lands and ages, from Chinese dragons and the Native North American thunderbird to the demon hounds of Celtic and Norse legend. She describes how in various ages and cultures people have identified with the idealized qualities of wise creatures as a source of power and better understanding of their own personalities and used the behavior of birds and other sacred creatures to gain oracular information in Ancient Egypt and the Classical and Celtic worlds. This book offers both traditional and little known folklore and legend about familiar real life creatures such as the horse, the cat, and the raven and delves into the weird and wonderful world of saints who claimed to change into deer and modern cryptozoological monsters such as Bigfoot, Mothman, and lake and sea monsters, as well as the rationale behind animal or headed deities of the Aztecs, Egyptians, and Celts in whose name people went to war.
The Infinity of Lists
Reflections on how the idea of catalogs has changed over the centuries and how, from one period to another, it has expressed the spirit of the times. Companion to the author's History of beauty and On ugliness.
