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Selected Essays
Clark Blaise's Selected Essays brings together another aspect of his tremendous and courageous oeuvre: belle lettres, essays and occasional pieces which range over autobiography, his French-Canadan heritage, the craft of fiction, American fiction, Australian fiction, and the work of such individual writers and Jack Kerouac, V.S. Naipaul, Salmon Rushdie, Alice Munro, Leon Rooke, and Bernard Malamud, his friend and mentor.
The Middle Power Project
The Middle Power Project describes a defining period of Canadian and international history. During the Second World War, Canada transformed itself from British dominion to self-proclaimed middle power. It became an active, enthusiastic, and idealistic participant in the creation of one of the longest lasting global institutions of recent times – the United Nations. This was, in many historians’ opinions, the beginning of a golden age in Canadian diplomacy. Chapnick suggests that the golden age may not have been so lustrous. During the UN negotiations, Canadian policymakers were more cautious than idealistic. The civil service was inexperienced and often internally divided. Canada’s sig...
After Identity
For decades, the field of Mennonite literature has been dominated by the question of Mennonite identity. After Identity interrogates this prolonged preoccupation and explores the potential to move beyond it to a truly post-identity Mennonite literature. The twelve essays collected here view Mennonite writing as transitioning beyond a tradition concerned primarily with defining itself and its cultural milieu. What this means for the future of Mennonite literature and its attendant criticism is the question at the heart of this volume. Contributors explore the histories and contexts—as well as the gaps—that have informed and diverted the perennial focus on identity in Mennonite literature, even as that identity is reread, reframed, and expanded. After Identity is a timely reappraisal of the Mennonite literature of Canada and the United States at the very moment when that literature seems ready to progress into a new era. In addition to the editor, the contributors are Ervin Beck, Di Brandt, Daniel Shank Cruz, Jeff Gundy, Ann Hostetler, Julia Spicher Kasdorf, Royden Loewen, Jesse Nathan, Magdalene Redekop, Hildi Froese Tiessen, and Paul Tiessen.
The Riel Problem
Albert Braz examines how Louis Riel has been commemorated since 1967, charting his transformation from traitor to Canadian hero.
Editing, Performance, Texts
The essays in this volume challenge current 'givens' in medieval and early modern research around periodization and editorial practice. They showcase cutting-edge research practices and approaches in textual editing, and in manuscript and performance studies to produce new ways of reading and working for students and scholars.
The Brian Moore Papers, First Accession and Second Accession
A Canadian citizen living in the United States, the Irish-born Brian Moore stands out as one of the most prolific and consistently competent novelists in the English-speaking world. From his highly acclaimed Judith Hearne of the 1950s to his recent runner-up for the Booker Prize, The Color of Blood, Moore has in his sixteen novels dramatized what it means to be caught up at the edges of all kinds of uncertainties and fears: spiritual, sexual, political, and social, where frequently the protagonist faces psychological dilemmas generated by the conflicting values of the Old World and the New. Essentially a traditional novelist, Moore has nevertheless moved from time to time into fictional experimentation, as in The Great Victorian Collection, but whatever form he chooses, he is consistent in his moral compassion for his characters and in his meticulous prose style. Introduced with a biocritical essay by Hallvard Dahlie, The Brian Moore Papers, consisting of numerous drafts of his novels, voluminous correspondence, and daily work books, offers a rich resource for the general reader and the scholarly critic.
Mordecai Richler
"I didn't want the biography to end. Mordecai Richler seemed so vividly alive...From now on, nobody can write about Richler without reading this book." The Globe and Mail
Modern Realism in English-Canadian Fiction
Much of the scholarship on twentieth-century Canadian literature has argued that English-Canadian fiction was plagued by backwardness and an inability to engage fully with the movement of modernism that was so prevalent in British and American fiction and poetry. Modern Realism in English-Canadian Fiction re-evaluates Canadian literary culture to posit that it has been misunderstood because it is a distinct genre, a regional form of the larger international modernist movement. Examining literary magazines, manifestos, archival documents, and major writers such as Frederick Philip Grove, Morley Callaghan, and Raymond Knister, Colin Hill identifies a 'modern realism' that crosses regions as well as urban and rural divides. A bold reading of the modern-realist aesthetic and an articulate challenge to several enduring and limiting myths about Canadian writing, Modern Realism in English- Canadian Fiction will stimulate important debate in literary circles everywhere.
