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Marranos were Spanish or Portuguese Jews living in the Iberian Peninsula who converted to Christianity to avoid being massacred or forced to flee following the expulsion of Jews and Muslims from Spain in 1391 but they continued to practice Judaism in secret. They outwardly embraced Catholicism but preserved Judaism in their hearts. While the Marranos are commonly associated with the persecution of Jews at the time of the Spanish Inquisition, Donatella Di Cesare sees the Marranos as the quintessential figure of the modern condition: the Marranos were not just those that modernity has cast out as the ‘other’, but were those ‘others’ who were forced to disavow their beliefs and conceal ...
Analyzes the degree of assimilation of the Spanish Conversos based on Jewish perceptions as reflected in responsa and in polemical and exegetical Jewish literature of the time (1391-1481). Rejects the present-day view that many Conversos were Judaizers, arguing that, on the contrary, most of them were at different stages of assimilation and Christianization and were even tinged with anti-Judaism. Stresses that in fact the majority of the Spanish Jewish community converted (forcibly or not), and the remaining Jews, a minority, felt uncertainty as to the Jewishness of the Conversos, considering as a crypto-Jew (or "anuss") only a Converso who respected Jewish precepts in private and who tried to leave Spain in order to return to Judaism. The fact that most Conversos did neither shows that most of them abandoned Judaism, and that the Inquisition's persecution campaign was held not on religious but on racial and political grounds, meant to destroy a successfully competing social group.
"An account of the origins and fate of those Spanish Jews who -- terrorized by the massacre of 1391 and the Inquisition -- professed Christianity to escape persecution."--cover.
"He describes the Marranos as "the Other within" - people who both did and did not belong. Rejected by most Jews as renegades and by most veteran Christians as Jews with impure blood, Marranos had no definite, integral identity, Yovel argues. The "Judaizers" - Marranos who wished to remain secretly Jewish - were not actually Jews, and those Marranos who wished to assimilate were not truly integrated as Hispano-Catholics. Rather, mixing Jewish and Christian symbols and life patterns, Marranos were typically distinguished by a split identity. They also discovered the subjective mind, engaged in social and religious dissent, and demonstrated early signs of secularity and this-worldliness. In these ways, Yovel says, the Marranos anticipated and possibly helped create many central features of modern Western and Jewish experience.
First published in Portuguese in 1969, this is the only work by Antonio Jose Saraiva available in English and the only single-volume history devoted primarily to the working of the Portuguese Inquisition, a most lucid and compact survey. "The Marrano Factory" argues that the Portuguese Inquisition s stated intention of extirpating heresies and purifying Portuguese Catholicism was a monumental hoax; the true purpose of the Holy Office was the fabrication rather than the destruction of "Judaizers."
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What we call here the ‘Marrano phenomenon’ is still a relatively unexplored fact of modern Western culture: the presence of the borderline Jewish identity which avoids clear-cut cultural and religious attribution, but nevertheless exerts significant influence on modern humanities. Our aim, however, is not a historical study of the Marranos (or conversos), i.e., the mostly Spanish and Portguese Jews of the 15th and 16th centuries, who were forced to convert to Christianity, but were suspected of retaining their Judaism ‘undercover’: such an approach already exists and has been developed within the field of historical research. We rather want to apply the ‘Marrano metaphor’ to explore the fruitful area of mixture and crossover which allowed modern thinkers, writers, and artists of the Jewish origin to enter the realm of universal communication—without, at the same time, making them relinquish their Jewishness, which they subsequently developed as a ‘hidden tradition’. What is of special interest to us is the modern development of the non-normative forms of religious thinking located on the borderline between Christianity and Judaism, from Spinoza to Derrida.
Unorthodox Kin is a groundbreaking exploration of identity, relatedness, and belonging in the context of profound global interconnection. Naomi Leite paints a poignant and graceful portrait of Portugal's urban Marranos, who trace their ancestry to fifteenth-century Jews forcibly converted to Catholicism and now seek connection with the Jewish people at large. Their story raises questions fundamental to the human condition: how people come to identify with far-flung others; how some find glimmerings of mystical connection in a world said to be disenchanted; how identities are lived in practice and challenged in interaction; how the horizons of kinship expand in a globally interconnected era; and how feelings of relatedness emerge between strangers and gather strength over time. Focusing on mutual imaginings and face-to-face encounters between urban Marranos and the foreign Jewish tourists and outreach workers who travel to meet them, Leite draws on a decade of ethnographic research in Portugal to trace participants' perceptions of self, peoplehood, and belonging as they evolve through local and global social spaces.
Through correspondence with the author, a Crypto- Jewish Catholic priest who provides protection to Jews living as Catholics in Latin America reveals the struggles with his hidden self and the burden of secrecy in his true identity.
The Marrano phenomenon is a still unexplored element of Western culture: the presence of the borderline Jewish identity which avoids clear-cut cultural and religious attribution and – precisely as such – prefigures the advent of the typically modern "free-oscillating" subjectivity. Yet, the aim of the book is not a historical study of the Marranos (or conversos), who were forced to convert to Christianity, but were suspected of retaining their Judaism "undercover." The book rather applies the "Marrano metaphor" to explore the fruitful area of mixture and cross-over which allowed modern thinkers, writers and artists of the Jewish origin to enter the realm of universal communication – wi...