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This book examines the state of the animation industry within the Nordic countries. It looks at the success of popular brands such as Moomins and The Angry Birds, studios such as Anima Vitae and Qvisten, and individuals from the Nordics who have made their mark on the global animation industry. This book begins with some historical findings, before moving to recount stories of some of the most well-known Nordic animation brands. A section on Nordic animation studios examines the international success of these companies and its impact on the global animation industry. This book is forward-thinking in scope and places these stories within the context of what the future holds for the Nordic animation industry. This book will be of great interest to those in the fields of animation and film studies, as well as those with a general interest in Nordic animation.
For centuries, the Arctic was visualized as an unchanging, stable, and rigidly alien landscape, existing outside twenty-first-century globalization. It is now impossible to ignore the ways the climate crisis, expanding resource extraction, and Indigenous political mobilization in the circumpolar North are constituent parts of the global present. New Arctic Cinemas presents an original, comparative, and interventionist historiography of film and media in twenty-first-century Scandinavia, Greenland, Russia, Canada, and the United States to situate Arctic media in the place it rightfully deserves to occupy: as central to global environmental concerns and Indigenous media sovereignty and self-determination movements. The works of contemporary Arctic filmmakers, from Zacharias Kunuk and Alethea Arnaquq-Baril to Amanda Kernell and Inuk Silis Høegh, reach worldwide audiences. In examining the reach and influence of these artists and their work, Scott MacKenzie and Anna Westerstahl Stenport reveal a global media system of intertwined production contexts, circulation opportunities, and imaginaries—all centering the Arctic North.
Traveller, Nomadic and Migrant Education presents international accounts of approaches to educating mobile communities such as circus and fairground people, herders, hunters, Roma and Travellers. The chapters focus on three key dimensions of educational change: the client group moving from school to school; those schools having their demographics changed and seeking to change the mobile learners; and these learners contributing to fundamental change to the nature of schooling. The book brings together decades of research into the challenges and opportunities presented by mobile learners interacting with educational systems predicated on fixed residence. It identifies several obstacles to those learners receiving an equitable education, including negative stereotypes and centuries-old prejudice. Yet the book also explores a number of educational innovations that bring mobility and schooling together, ranging from specialised literacy programs and distance and online education to mobile schools and specially trained teachers. These innovations allow us to think differently about how education can and should be, for mobile and non-mobile learners alike.
A collection of essays analyzing the representation of the Arctic region in documentary films. Beginning with Robert Flaherty’s Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept o...
There is no single volume that encompasses an integrated social and cultural history of the Sámi people from the Nordic countries and northwestern Russia. Neil Kent's book fills this lacuna. In the first instance, he considers how the Sámi homeland is defined: its geography, climate, and early contact with other peoples. He then moves on to its early chronicles and the onset of colonisation, which changed Sámi life profoundly over the last millennium. Thereafter, the nature of Sámi ethnicity is examined, in the context of the peoples among whom the Sámi increasingly lived, as well as the growing intrusions of the states who claimed sovereignty over them. The Soviet gulag, the Lapland Wa...
+Book Title: Sameland & Samenes Historie - Lapland & History Of Sami - Sámpi & Lipun Historia / SWD Author: Sores Welat Demir, Publisher: SWD-Group / 2019, Type: History Book, Format: Ebook-Pdf (Digital) & Print-Softcover (POD of order), A5 size / 530 page, Language: Norwegian & English & Sami, Content: A history book about sami people-life-culture-contry-info, etc… Contact: SWD - www.swdgroups.com - swdgroup@hotmail.com / Isbn/Ebook-Pdf: 978-82-8422-026-0 // Isbn-PrintPod: 978-82-8422-027-7 *** Alt om Samenes historie, alt fra A til AA... Everything about the history of Sami… / SWD
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This is the first extensive anthology of contemporary Sami literature in English. The Sami are the indigenous people inhabiting Northern Norway, Sweden, Finland and Russia's Kola Peninsula. Twenty-one authors from all four countries are represented with poetry, short stories and excerpts from novels. Many of the authors are award-winners, and some have been included in Nordic and international collections. The readers will be introduced to a variety of themes and experiences, from wolves attacking a reindeer herd to river boat rafting and the making of a shaman drum, from the most tender love poems in Arctic surroundings to the bitter realities in the everyday life of a suppressed minority. The text reflects Sami resilience and selfhood, and expresses the Sami's own perspective on their struggle to preserve traditional values in modern society -- from back cover.